This page lists the 599 colors whose names start with E, each on a swatch with its RGB value, hex code, shade and maker; the next letter loads as you scroll. The whole list, A to Z, starts on the List of Colors.
The list covers the named colors of the web, the colors every browser knows by name, with the numbered variants of the X11 color list they grew from; brand colors whose owners publish their screen values, such as Android Green; the paint colors of Resene, Sherwin-Williams, Benjamin Moore, Behr, Dunn-Edwards, PPG, Glidden, Farrow & Ball, Little Greene, Dulux Australia, Asian Paints, Nerolac and Jotun, each with the screen value its maker publishes; Pantone’s cotton (TCX) colors for fashion and interiors and a few of its paper (TPG) colors, with the screen values a Pantone dealer publishes; a few Crayola colors; and the color names of the xkcd color survey, a 2010 online survey in which people named colors shown on their screens. Pantone sells its own screen values under license, so its rows give a dealer’s screen approximation; match a physical Pantone guide when an exact color matters. RAL offers its screen values in licensed digital libraries, which this edition does not use, so RAL names are left out rather than shown with values copied from other sites. A few Crayola colors are included where Crayola’s own website shows the value; these are screen previews, not measurements of the crayons. A screen value is a maker’s published digital approximation, so paint on a wall looks different in daylight and lamplight, and on a different finish.
Letters go live one at a time; colors starting with A and B were checked on Oct. 11, 2026.
The same name often belongs to several makers, each with its own color. Afterglow, for one, is a golden ochre at Resene, a soft apricot at Sherwin-Williams, a pale lemon at Dunn-Edwards and a cream in Pantone’s range. That is normal: every maker names its own colors, and no body controls color names. So each version gets its own plate, and the line under the name says whose color it is.
A screen makes every color from three lights: red, green and blue. In the 8-bit sRGB system used on the web, each is set to a number from 0, off, to 255, full strength, and the three numbers together are the RGB value. 0, 0, 0 is black, 255, 255, 255 is white, and 255, 0, 0 is the most saturated red sRGB can show. That gives 256 × 256 × 256, or 16,777,216, possible codes, which is a count of codes rather than of every color the eye can see; screens also differ in the colors they can show.
A hex code writes the same three numbers in base 16, the counting system with the digits 0 to 9 and A to F, two digits for each light, after a # sign. Alice Blue shows how it works:
240 is 15 sixteens and 0 ones, and 15 is written F, so 240 becomes F0. A paint chip is a different thing: it reflects light rather than giving it off, so a paint maker’s RGB value is a published digital approximation of the paint, not the paint itself, and a hex code is not an ink or paint recipe.
Some paint notes give a light reflectance value (LRV): the share of light a painted surface reflects, on a scale of 0 to 100. A color has a note only when there is a fact worth telling, such as where its name comes from or how its maker describes it.
Each color gets exactly one shade, worked out from its RGB value rather than from its name. The value is first read in OKLCH, a perceptual color model that approximates how the eye judges lightness (L), chroma or colorfulness (C) and hue (h); OKLCH gives the coordinates, and the twelve shades are GKBook’s own browsing convention. A color with low chroma is white when very light, black when very dark and gray otherwise, and a very light color with only a faint tint counts as white. Every other color is placed by its hue on the wheel below. Reds, oranges and yellows that are dark or muted count as brown, which is why beige, tan and taupe land there; light reds count as pink; and in the band between purple and red, light colors count as pink and darker ones as purple. Every color in the list is then checked by eye against these definitions, and where the eye and the rule differ, the checked shade is used: a blue gray with a clear blue cast goes to blue, a golden mustard to yellow and an olive to green or brown as it looks. Alice Blue and Azure, two web colors, are such pale tints that they are grouped with white; their blue and cyan casts show on their swatches.
Each shade has its own page: Black, Blue, Brown, Gray, Green, Orange, Pink, Purple, Red, Violet, White, Yellow.
No color matches that search.
Eagle
Resene
RGB 176, 172, 148
Eagle appears in the mid 14th century from Old French egle and Old Provençal aigla, from the Latin aquila, black eagle, and it displaced the native erne. Aquila is often explained as the dark colored bird, from aquilus, blackish, but some scholars think the color word came from the bird, and Etymonline calls the origin uncertain. Resene suggests Hemlock and Merino as companion colors.
Eagle Eye
PPG PPG1014-6
RGB 115, 102, 101
PPG describes Eagle Eye as a deep, gray, dusty violet purple with a mauve undertone. PPG publishes an LRV of about 14 for Eagle Eye.
Eagle Ridge
Behr ECC-46-2
RGB 125, 119, 108
Behr publishes an LRV of about 19 for Eagle Ridge.
Eagle Rock
Benjamin Moore 1469
RGB 139, 132, 124
Benjamin Moore publishes an LRV of about 24.5 for Eagle Rock.
Eagle Rock
Behr S-H-730
RGB 92, 82, 66
Behr marks Eagle Rock as archived. Behr publishes an LRV of about 9 for Eagle Rock.
Eagle's View
Dunn-Edwards DE6394
RGB 212, 203, 204
Dunn-Edwards publishes an LRV of about 57 for Eagle's View.
Eaglet Beige
Sherwin-Williams SW 7573
RGB 233, 217, 192
Sherwin-Williams reports an LRV of about 70.7 for Eaglet Beige.
Eames for Blue
Dunn-Edwards DET564
RGB 70, 107, 130
Dunn-Edwards publishes an LRV of about 14 for Eames for Blue.
Earhart Emerald
Dunn-Edwards DET537
RGB 65, 102, 89
Dunn-Edwards publishes an LRV of about 11 for Earhart Emerald.
Earl Gray
PPG PPG1020-5
RGB 166, 151, 138
The tea called Earl Grey is dated to the 1880s and was originally Chinese tea blended with oil of bergamot. Etymonline says it was supposedly made from a recipe given in the 1830s to Charles, 2nd Earl Grey, the Whig prime minister, but it also notes the tea may have been named for him later for commercial reasons. PPG describes Earl Gray as a saturated, gray, earthy beige with a dusty pink undertone. PPG publishes an LRV of about 32 for Earl Gray.
Earl Grey
Sherwin-Williams SW 7660
RGB 150, 154, 150
Sherwin-Williams reports an LRV of about 31.8 for Earl Grey.
Earls Green
Resene
RGB 184, 167, 34
Resene describes Earls Green as a deep yellow.
Early American Classic
Dunn-Edwards DESS43
RGB 162, 149, 130
Dunn-Edwards reports an LRV of about 31.0 for Early American Classic.
Early Blossom
Dunn-Edwards DE5049
RGB 255, 229, 237
Dunn-Edwards publishes an LRV of about 77 for Early Blossom.
Early Crocus
Behr PR-W02
RGB 234, 231, 231
Behr reports an LRV of about 81.0 for Early Crocus. Behr marks Early Crocus as archived.
Early Dawn
Resene
RGB 251, 242, 219
Resene suggests Zircon and Salomie as companion colors.
Early Dawn
Benjamin Moore 338
RGB 250, 241, 187
Benjamin Moore publishes an LRV of about 82.5 for Early Dawn.
Early Evening
PPG PPG1006-3
RGB 202, 199, 191
PPG describes Early Evening as a soft, warm, veiled gray with a red undertone. PPG publishes an LRV of about 58 for Early Evening.
Early Frost
Benjamin Moore CSP-590
RGB 201, 206, 209
Benjamin Moore publishes an LRV of about 60.6 for Early Frost.
Early Harvest
Behr BXC-61
RGB 235, 187, 123
Behr reports an LRV of about 55.0 for Early Harvest. Behr marks Early Harvest as archived.
Early Harvest
Dunn-Edwards DE5542
RGB 185, 190, 130
Dunn-Edwards describes Early Harvest as golden green.
Early Morning
Benjamin Moore CC-818
RGB 155, 177, 187
Benjamin Moore publishes an LRV of about 43.2 for Early Morning.
Early Morning Mist
Benjamin Moore 1528
RGB 219, 216, 201
Benjamin Moore publishes an LRV of about 67.2 for Early Morning Mist.
Early September
Behr M500-2
RGB 173, 205, 220
Behr publishes an LRV of about 58 for Early September.
Early Snow
Dunn-Edwards DEW313
RGB 253, 243, 228
Dunn-Edwards publishes an LRV of about 83 for Early Snow.
Early Spring
Behr MQ4-46
RGB 178, 221, 142
Behr publishes an LRV of about 63 for Early Spring.
Early Spring Green
Benjamin Moore 2032-50
RGB 182, 230, 175
Benjamin Moore reports an LRV of about 67.7 for Early Spring Green.
Early Sunrise
Benjamin Moore 2084-60
RGB 246, 207, 217
Benjamin Moore publishes an LRV of about 68.2 for Early Sunrise.
Early Sunset
Benjamin Moore 2096-70
RGB 240, 228, 220
Benjamin Moore publishes an LRV of about 77 for Early Sunset.
Early Sunset
Behr 230E-1
RGB 243, 227, 216
Behr reports an LRV of about 79.0 for Early Sunset. Behr marks Early Sunset as archived.
Earlybird
Resene BR39-023-022
RGB 81, 57, 57
Resene reports an LRV of about 11.0 for Earlybird.
Earth
xkcd survey
RGB 162, 101, 62
Earth comes from the Old English eorthe, which meant ground, soil, dirt, dry land or country, from a Proto Germanic ertho. The sense of the planet dates from about 1400.
Earth Brown
Benjamin Moore 2102-10
RGB 111, 71, 59
Benjamin Moore publishes an LRV of about 8.9 for Earth Brown.
Earth Chicory
Behr QE-16
RGB 102, 75, 64
Behr marks Earth Chicory as archived. Behr publishes an LRV of about 8 for Earth Chicory.
Earth Fired Red
Behr S200-7
RGB 120, 82, 64
Behr describes Earth Fired Red as a dark brown reminiscent of sun baked soil and ancient pottery. Behr publishes an LRV of about 10 for Earth Fired Red.
Earth Green
Resene G29-016-121
RGB 46, 52, 43
Resene suggests Burnt Umber and Fawn Green as companion colors.
Earth Red
Pantone 18-1631 TCX
RGB 149, 66, 78
Earth Tone
Behr 230F-6
RGB 160, 110, 87
Behr marks Earth Tone as archived. Behr publishes an LRV of about 19 for Earth Tone.
Earthen
Resene BR55-027-080
RGB 143, 130, 113
Resene reports an LRV of about 23.0 for Earthen.
Earthen Jug
Sherwin-Williams SW 7703
RGB 168, 94, 57
Sherwin-Williams reports an LRV of about 16.7 for Earthen Jug.
Earthenware
Behr ICC-78
RGB 168, 147, 115
Earthenware, joining earthen and ware, dates to the 1670s. Earthen, made of earth, is recorded from the early 13th century, and its sense of made of clay is attested from the late 14th century. Behr marks Earthenware as archived. Behr publishes an LRV of about 31 for Earthenware.
Earthly Russet
Benjamin Moore 2173-10
RGB 128, 69, 49
Benjamin Moore publishes an LRV of about 9.6 for Earthly Russet.
Earthly White
Behr ECC-58-2
RGB 234, 227, 219
Behr marks Earthly White as archived. Behr publishes an LRV of about 78 for Earthly White.
Earthnut
Behr PPU5-16
RGB 157, 134, 117
Behr describes Earthnut as a rustic brown blending timelessness with homey comfort. Behr publishes an LRV of about 26 for Earthnut.
Earthsong
Resene WW0818
RGB 42, 62, 51
Earthstone
Resene G76-037-098
RGB 181, 175, 139
Resene suggests Double Grey Olive and Grapevine as companion colors.
Earthy Ocher
PPG PPG1086-5
RGB 184, 158, 120
PPG describes Earthy Ocher as a saturated, shaded, clay beige with a khaki undertone. PPG publishes an LRV of about 34 for Earthy Ocher.
Earthy Ochre
Sherwin-Williams SW 9532
RGB 190, 174, 136
Sherwin-Williams publishes an LRV of about 43 for Earthy Ochre.
East Bay
Resene
RGB 71, 82, 110
Resene suggests Lusty and Christine as companion colors.
East Cape
Dunn-Edwards DE5694
RGB 176, 238, 226
Dunn-Edwards publishes an LRV of about 70 for East Cape.
East Lake Rose
Benjamin Moore 043
RGB 241, 213, 203
Benjamin Moore publishes an LRV of about 69.8 for East Lake Rose.
East Side
Resene
RGB 170, 140, 188
Resene suggests Morning Glory and Midnight Express as companion colors.
Easter Bonnet
Benjamin Moore 2074-70
RGB 245, 227, 239
Benjamin Moore publishes an LRV of about 78.7 for Easter Bonnet.
Easter Egg
Pantone 16-3925 TCX
RGB 145, 155, 201
Easter Green
xkcd survey
RGB 140, 253, 126
Easter Hunt
Benjamin Moore 554
RGB 221, 240, 203
Benjamin Moore reports an LRV of about 80.1 for Easter Hunt.
Easter Lily
Benjamin Moore OC-126
RGB 247, 244, 226
Benjamin Moore publishes an LRV of about 88.2 for Easter Lily.
Easter Pink
Benjamin Moore 2076-50
RGB 232, 169, 208
Benjamin Moore publishes an LRV of about 49.8 for Easter Pink.
Easter Purple
xkcd survey
RGB 192, 113, 254
Easter Ribbon
Benjamin Moore 1381
RGB 212, 199, 214
Benjamin Moore publishes an LRV of about 59.1 for Easter Ribbon.
Eastern Amber
Behr ICC-100
RGB 235, 182, 126
Behr reports an LRV of about 53.0 for Eastern Amber. Behr marks Eastern Amber as archived.
Eastern Bamboo
Behr PPU9-25
RGB 94, 93, 61
Behr publishes an LRV of about 11 for Eastern Bamboo.
Eastern Blue
Resene
RGB 0, 135, 159
Resene suggests Mabel and Zeus as companion colors.
Eastern Bluebird
Behr PMD-54
RGB 116, 134, 149
Behr reports an LRV of about 23.0 for Eastern Bluebird. Behr marks Eastern Bluebird as archived.
Eastern Breeze
Behr PPL-70
RGB 218, 224, 230
Behr reports an LRV of about 74.0 for Eastern Breeze. Behr marks Eastern Breeze as archived.
Eastern Sky
Dunn-Edwards DE5786
RGB 143, 193, 210
Dunn-Edwards publishes an LRV of about 45 for Eastern Sky.
Eastern Spice
Behr PMD-97
RGB 219, 168, 127
Behr reports an LRV of about 45.0 for Eastern Spice. Behr marks Eastern Spice as archived.
Eastern Wind
Behr ECC-24-2
RGB 237, 230, 213
Behr reports an LRV of about 79.0 for Eastern Wind. Behr marks Eastern Wind as archived.
Eastlake Gold
Sherwin-Williams SW 0009
RGB 194, 142, 97
Sherwin-Williams reports an LRV of about 31.6 for Eastlake Gold.
Eastlake Olive
Dunn-Edwards DET506
RGB 169, 164, 130
Dunn-Edwards publishes an LRV of about 36 for Eastlake Olive.
Easy
PPG PPG1026-3
RGB 190, 179, 148
PPG describes Easy as a soft, neutral, white tea green with a farmhouse green undertone. PPG publishes an LRV of about 45 for Easy.
Easy Breezy Blue
Dunn-Edwards DET553
RGB 158, 177, 174
Dunn-Edwards publishes an LRV of about 42 for Easy Breezy Blue.
Easy Green
Sherwin-Williams SW 6450
RGB 172, 194, 168
Sherwin-Williams reports an LRV of about 50.1 for Easy Green.
Easy Rider
Resene G49-011-156
RGB 83, 94, 86
Resene suggests Quarter Gargoyle and Wrangler as companion colors.
Eat Your Peas
Dunn-Edwards DET528
RGB 128, 152, 122
Dunn-Edwards publishes an LRV of about 28 for Eat Your Peas.
Eau De Nil
Resene G75-012-153
RGB 176, 186, 179
Resene describes Eau De Nil as pale green.
Ebb
Resene
RGB 230, 216, 212
Ebb comes from the Old English ebba, the falling of the tide, possibly from a Germanic root meaning off or away, though the source is uncertain. The figurative sense of decline appears in the late 14th century, and the compound ebb tide dates from 1776. Resene suggests Link Water and Rebel as companion colors.
Ebbtide
Sherwin-Williams SW 6493
RGB 132, 180, 190
Sherwin-Williams reports an LRV of about 41.2 for Ebbtide.
Ebony
Pantone 19-4104 TCX
RGB 65, 66, 74
Ebony, the dark hard wood, is recorded from the 1590s, perhaps as an extended form of Middle English ebon. The word goes back through Latin ebenus to the Greek ebenos, which Etymonline says probably came from Egyptian hbnj, though it allows another Semitic source. Ebony stood for intense blackness from the 1620s.
Ebony
Resene
RGB 49, 51, 55
Resene suggests Venetian Red and Mid Grey as companion colors.
Ebony
COLORSTEEL -
RGB 24, 24, 24
Ebony Clay
Resene
RGB 50, 52, 56
Resene reports an LRV of about 8.0 for Ebony Clay.
Ebony Slate
Benjamin Moore 2118-30
RGB 74, 74, 83
Benjamin Moore publishes an LRV of about 9.1 for Ebony Slate.
Eccentric Lime
Benjamin Moore 2027-30
RGB 191, 196, 40
Benjamin Moore publishes an LRV of about 47.7 for Eccentric Lime.
Eccentric Magenta
Behr P110-5A
RGB 181, 118, 167
Behr publishes an LRV of about 26 for Eccentric Magenta.
Echelon Ecru
Sherwin-Williams SW 7574
RGB 231, 216, 190
Sherwin-Williams reports an LRV of about 69.9 for Echelon Ecru.
Echidna
Resene BR52-023-056
RGB 116, 95, 82
Resene suggests Secrets and Gondwana as companion colors.
Echo
Resene M36-014-028
RGB 72, 60, 58
Echo, a sound repeated by reflection, entered English in the mid 14th century from the Latin echo and the Greek ēkhō, related to Greek words for sound and to resound. In classical myth Echo was a mountain nymph who loved Narcissus and wasted away until only her voice remained. Resene suggests Imagine and Bounce as companion colors.
Echo
Behr PPU17-18
RGB 122, 114, 117
Behr marks Echo as archived. Behr publishes an LRV of about 17 for Echo.
Echo Blue
Resene
RGB 164, 175, 205
Resene suggests Half Rice Cake and Edgewater as companion colors.
Echo Mist
Behr ECC-31-2
RGB 216, 223, 223
Behr reports an LRV of about 73.0 for Echo Mist.
Echo Park
Behr MQ6-10
RGB 117, 136, 131
Behr reports an LRV of about 23.0 for Echo Park. Behr marks Echo Park as archived.
Echo Valley
Behr ECC-25-2
RGB 230, 226, 214
Behr marks Echo Valley as archived. Behr publishes an LRV of about 76 for Echo Valley.
Eclectic Plum
Dunn-Edwards DE6047
RGB 140, 110, 103
Dunn-Edwards publishes an LRV of about 17 for Eclectic Plum.
Eclectic Purple
Behr PPU17-20
RGB 72, 62, 69
Behr marks Eclectic Purple as archived. Behr publishes an LRV of about 5 for Eclectic Purple.
Eclipse
Pantone 19-3810 TCX
RGB 52, 49, 72
Eclipse entered English about 1300 from Old French, from the Latin eclipsis and the Greek ekleipsis, literally a failing or abandoning. The Greek verb meant to leave an accustomed place, fail to appear or be darkened. The figurative sense, to overshadow, appears from the 1570s.
Eclipse
Resene
RGB 63, 57, 57
Resene suggests Mercury and Monarch as companion colors.
Eclipse
Sherwin-Williams SW 6166
RGB 107, 103, 87
Sherwin-Williams reports an LRV of about 13.6 for Eclipse.
Eclipse
Benjamin Moore 2132-40
RGB 113, 121, 128
Benjamin Moore publishes an LRV of about 20 for Eclipse.
Eco Green
Sherwin-Williams SW 6739
RGB 104, 166, 120
Sherwin-Williams reports an LRV of about 31.8 for Eco Green.
Eco Green
Behr PPU8-05
RGB 168, 151, 104
Behr reports an LRV of about 31.0 for Eco Green. Behr marks Eco Green as archived.
Ecological
Behr S380-6
RGB 128, 131, 103
Behr publishes an LRV of about 22 for Ecological.
Ecological
Dunn-Edwards DE5719
RGB 103, 127, 112
Dunn-Edwards publishes an LRV of about 18 for Ecological.
Ecru
Pantone 11-0809 TCX
RGB 243, 223, 202
Ecru entered English in 1869 as a name for the color of raw silk or unbleached linen. It comes from the French écru, raw or unbleached, from Old French escru, which joins an intensifying prefix to the Latin crudus, raw, the same root behind crude.
Ecru
Sherwin-Williams SW 6135
RGB 208, 186, 148
Sherwin-Williams reports an LRV of about 51.0 for Ecru.
Ecru
Benjamin Moore 2014-70
RGB 253, 239, 226
Benjamin Moore publishes an LRV of about 84.8 for Ecru.
Ecru
Behr PPL-76
RGB 235, 221, 195
Behr marks Ecru as archived. Behr publishes an LRV of about 73 for Ecru.
Ecru
xkcd survey
RGB 254, 255, 202
Ecru Olive
Pantone 17-0836 TCX
RGB 146, 123, 60
Ecru Wealth
Dunn-Edwards DET635
RGB 213, 205, 180
Dunn-Edwards publishes an LRV of about 61 for Ecru Wealth.
Ecru White
Resene
RGB 214, 209, 192
Resene suggests Smalt Blue and Beryl Green as companion colors. Resene also lists this color as Joanna, with the same code and value.
Ecstasy
Resene
RGB 201, 97, 56
Resene reports an LRV of about 29.0 for Ecstasy.
ECU Gold
Brand color
RGB 254, 201, 35
East Carolina University names ECU Gold as a primary brand color (PMS 123). The same page lists RGB 255, 200, 46, which differs from its hex.
ECU Purple
Brand color
RGB 89, 42, 138
East Carolina University names ECU Purple as a primary brand color (PMS 268). The same page lists RGB 80, 45, 127, which differs from its hex.
Edamame
Sherwin-Williams SW 7729
RGB 130, 124, 90
Edamame, young green soybeans usually sold in the pod, takes its name from the Japanese eda, branch, and mame, beans. Merriam-Webster dates its first known use in English to 1951. Sherwin-Williams reports an LRV of about 19.9 for Edamame.
Edamame
PPG PPG1030-4
RGB 156, 163, 137
PPG describes Edamame as a midtone, gray, lush green with an organic green undertone. PPG publishes an LRV of about 34 for Edamame.
Edelweiss
PPG PPG14-23
RGB 238, 232, 217
Edelweiss came into English in 1862 from German, where the name means roughly noble white. The first part goes back to an Old High German word for noble, related to the English atheling, and the second is the German word for white. PPG describes Edelweiss as a pale, muted, golden yellow with a honey yellow undertone. PPG publishes an LRV of about 79 for Edelweiss.
Eden
Pantone 19-6050 TCX
RGB 38, 78, 54
Eden has meant a delightful place in English since the early 13th century, after the garden in Genesis. Etymonline usually traces it to the Hebrew edhen, pleasure or delight, but it also notes a possible Ugaritic base meaning a well watered place and a view that roots it in the Akkadian edinnu, plain.
Eden
Resene
RGB 38, 98, 85
Resene reports an LRV of about 16.0 for Eden.
Eden Prairie
Behr PPU6-20
RGB 135, 117, 71
Behr reports an LRV of about 18.0 for Eden Prairie. Behr marks Eden Prairie as archived.
Eden Prairie
Dunn-Edwards DE5461
RGB 149, 134, 60
Dunn-Edwards publishes an LRV of about 22 for Eden Prairie.
Edge of Black
Dunn-Edwards DE6349
RGB 84, 88, 94
Dunn-Edwards reports an LRV of about 9.0 for Edge of Black.
Edgecomb Gray
Benjamin Moore HC-173
RGB 217, 211, 196
Benjamin Moore publishes an LRV of about 63.1 for Edgecomb Gray.
Edgewater
Resene
RGB 193, 216, 197
Resene suggests Sail and Parsley as companion colors.
Edgewater
Behr T14-4
RGB 94, 171, 128
Behr marks Edgewater as archived. Behr publishes an LRV of about 33 for Edgewater.
Edgewood Rocks
Benjamin Moore 1056
RGB 152, 124, 93
Benjamin Moore publishes an LRV of about 22.2 for Edgewood Rocks.
Edgy Gold
Sherwin-Williams SW 6409
RGB 177, 151, 95
Sherwin-Williams reports an LRV of about 32.4 for Edgy Gold.
Edward
Resene
RGB 151, 164, 154
Resene suggests Blue Dianne and Ebony Clay as companion colors.
Edwardian Lace
Behr PWN-33
RGB 246, 237, 224
Behr reports an LRV of about 86.0 for Edwardian Lace.
Effervescent
Resene M71-016-054
RGB 168, 152, 142
Resene suggests Sputnik and Silver Aluminium as companion colors.
Effervescent
Behr P310-1
RGB 251, 244, 209
Behr describes Effervescent as a pure, light yellow evocative of enjoying a tart, frozen lemonade in the summer. Behr publishes an LRV of about 90 for Effervescent.
Effortless
Resene V71-016-304
RGB 160, 150, 167
Resene reports an LRV of about 42.0 for Effortless.
Egg Cream
Behr P270-4
RGB 255, 217, 140
Behr publishes an LRV of about 73 for Egg Cream.
Egg Nog
Dunn-Edwards DE5422
RGB 253, 234, 159
Dunn-Edwards publishes an LRV of about 76 for Egg Nog.
Egg Shell
xkcd survey
RGB 255, 252, 196
The xkcd survey lists egg shell (#FFFCC4) and eggshell (#FFFFD4) as two separate colors.
Egg Sour
Resene
RGB 249, 228, 197
Resene suggests Deep Teal and Persian Red as companion colors.
Egg White
Resene
RGB 224, 200, 141
Eggnog
Pantone 12-0601 TCX
RGB 236, 225, 211
Egg nog is first recorded about 1775 in American English, joining egg and nog, a strong ale. Nog appears in the 1670s and was defined in the 1690s as a strong beer brewed in Norfolk, England, but its origin is unknown, and a link to noggin is only a possibility.
Eggnog
Behr 320A-1
RGB 251, 241, 217
Behr publishes an LRV of about 88 for Eggnog.
Eggplant
Pantone 19-2311 TCX
RGB 97, 63, 76
Eggplant, recorded in 1763, simply joins egg and plant, and Etymonline notes that the original variety was white. The name aubergine, recorded from 1775, came through French, Catalan and Arabic from Persian and Sanskrit, and aubergine has served as a color name since 1895.
Eggplant
Benjamin Moore 1379
RGB 109, 74, 97
Benjamin Moore publishes an LRV of about 10.8 for Eggplant.
Eggplant
xkcd survey
RGB 56, 8, 53
Eggplant Purple
xkcd survey
RGB 67, 5, 65
Eggshell
Benjamin Moore 2026-70
RGB 247, 248, 220
Eggshell, a compound of egg and shell, appears in the early 15th century and replaced an older word built on the Old English word for egg. It has been used as a color term since 1894, and from 1835 it also described anything thin and delicate. To tread on eggshells, meaning to proceed with great caution, is attested from 1734. In paint, eggshell also names a low sheen finish that Benjamin Moore ranks above flat and matte and below pearl and satin, saying it reflects more light than flat or matte paint and is easy to clean. Benjamin Moore publishes an LRV of about 87.7 for Eggshell.
Eggshell
xkcd survey
RGB 255, 255, 212
The xkcd survey lists eggshell (#FFFFD4) and egg shell (#FFFCC4) as two separate colors.
Eggshell Blue
Pantone 14-4809 TCX
RGB 163, 204, 201
Eggshell Blue
xkcd survey
RGB 196, 255, 247
Eggshell Cream
Behr W-D-300
RGB 245, 238, 219
Behr publishes an LRV of about 86 for Eggshell Cream.
Eggwhite
Sherwin-Williams SW 6364
RGB 243, 229, 210
Sherwin-Williams reports an LRV of about 79.8 for Eggwhite.
Egret
Pantone 11-0103 TCX
RGB 243, 236, 224
Egret dates to the mid 14th century and comes from Old French aigrette, from Old Provençal aigreta, a diminutive of aigron, heron. Etymonline says the word is perhaps of Germanic origin and shares its source with heron.
Egret White
Sherwin-Williams SW 7570
RGB 223, 217, 207
Sherwin-Williams reports an LRV of about 69.6 for Egret White.
Egyptian Clay
Benjamin Moore CSP-1140
RGB 169, 88, 68
Benjamin Moore publishes an LRV of about 16.7 for Egyptian Clay.
Egyptian Green
Benjamin Moore 2043-40
RGB 69, 193, 172
Benjamin Moore reports an LRV of about 43.7 for Egyptian Green.
Egyptian Nile
Behr 420F-6
RGB 112, 119, 92
Behr publishes an LRV of about 17 for Egyptian Nile.
Egyptian Pyramid
Behr PPU3-12
RGB 193, 154, 125
Behr publishes an LRV of about 36 for Egyptian Pyramid.
Egyptian Sand
Benjamin Moore 266
RGB 176, 151, 85
Benjamin Moore reports an LRV of about 31.0 for Egyptian Sand.
Egyptian Sand
Dunn-Edwards DE6207
RGB 190, 172, 144
Dunn-Edwards publishes an LRV of about 40 for Egyptian Sand.
Egyptian Violet
PPG PPG1168-7
RGB 61, 73, 109
PPG describes Egyptian Violet as a dark, subdued, concord purple with a plum undertone. PPG publishes an LRV of about 7 for Egyptian Violet.
Eider White
Sherwin-Williams SW 7014
RGB 226, 222, 216
The eider, a sea duck, gave English its name in 1743 through German or Dutch eider from the Old Norse æþr, duck. Eiderdown, the soft feathers the bird uses to line its nest, followed in 1774 from the Icelandic æðardun. Sherwin-Williams reports an LRV of about 73.2 for Eider White.
Eiffel For You
Behr MQ2-37
RGB 185, 167, 149
Behr publishes an LRV of about 40 for Eiffel For You.
Eiffel Tower
Pantone 18-5210 TCX
RGB 92, 86, 88
Eiffel Tower
PPG PPG1022-5
RGB 153, 142, 131
PPG describes Eiffel Tower as a saturated, gray, teddy bear beige with a taupe undertone. PPG publishes an LRV of about 27 for Eiffel Tower.
Eighth Akaroa
Resene Y89-013-080
RGB 230, 221, 208
Resene reports an LRV of about 75.0 for Eighth Akaroa.
Eighth Arrowtown
Resene Y78-012-084
RGB 186, 181, 168
Resene suggests Double Alabaster and Triple Masala as companion colors.
Eighth Ash
Resene N91-007-097
RGB 227, 226, 218
Resene suggests Double Ash and Quarter Black White as companion colors.
Eighth Barista
Resene BR54-012-005
RGB 116, 100, 102
Resene reports an LRV of about 22.0 for Eighth Barista.
Eighth Biscotti
Resene Y93-012-075
RGB 241, 232, 221
Resene suggests Half Bianca and Sour Dough as companion colors.
Eighth Bison Hide
Resene Y88-011-080
RGB 222, 215, 203
Resene suggests Punga and Half Bianca as companion colors.
Eighth Black White
Resene N97-004-098
RGB 246, 244, 238
Resene reports an LRV of about 92.0 for Eighth Black White.
Eighth Blanc
Resene N94-008-084
RGB 240, 235, 228
Resene suggests Blanc and Surrender as companion colors. Resene also sells this color as Half Soapstone, with the same code and value.
Eighth Bokara Grey
Resene N43-002-347
RGB 103, 101, 102
Resene suggests Porter and Half Tea as companion colors.
Eighth Buffalo
Resene BR73-011-034
RGB 177, 160, 156
Resene reports an LRV of about 45.0 for Eighth Buffalo.
Eighth Canterbury Clay
Resene Y88-023-082
RGB 227, 215, 191
Resene suggests Canterbury Clay and Aubergine as companion colors.
Eighth Castle Rock
Resene N80-007-099
RGB 190, 189, 180
Resene suggests Lusty and Gravel as companion colors.
Eighth Colins Wicket
Resene BR78-027-077
RGB 196, 181, 156
Resene reports an LRV of about 53.0 for Eighth Colins Wicket.
Eighth Drought
Resene Y89-013-082
RGB 227, 219, 206
Resene suggests Digeridoo and Warrior as companion colors.
Eighth Dutch White
Resene Y96-012-089
RGB 249, 244, 231
Resene suggests Haystack and Wavelength as companion colors.
Eighth Felix
Resene BR61-011-034
RGB 137, 124, 121
Resene reports an LRV of about 29.0 for Eighth Felix.
Eighth Fossil
Resene Y92-009-077
RGB 237, 230, 221
Resene suggests Half Fossil and Quarter Black White as companion colors.
Eighth Friar Greystone
Resene N80-008-082
RGB 193, 188, 180
Resene suggests Sea Fog and Mangrove as companion colors.
Eighth Gravel
Resene N64-005-121
RGB 136, 138, 132
Resene reports an LRV of about 33.0 for Eighth Gravel.
Eighth Hillary
Resene G86-018-094
RGB 214, 211, 190
Resene suggests Double Hillary and Quarter Wheatfield as companion colors.
Eighth Ironsand
Resene N51-006-073
RGB 127, 123, 120
Resene suggests Quarter Truffle and Double Blanc as companion colors.
Eighth Joss
Resene Y88-011-073
RGB 224, 216, 204
Resene reports an LRV of about 73.0 for Eighth Joss.
Eighth Kalgoorie Sands
Resene O82-030-065
RGB 215, 189, 166
Resene suggests Quarter Solitaire and Triple Concrete as companion colors.
Eighth Lemon Grass
Resene G84-009-113
RGB 199, 201, 191
Resene suggests Tapa and Merino as companion colors.
Eighth Malta
Resene Y86-023-073
RGB 216, 210, 200
Resene reports an LRV of about 67.0 for Eighth Malta.
Eighth Masala
Resene N63-004-075
RGB 138, 137, 132
Resene suggests Double Arrowtown and Lumberjack as companion colors.
Eighth Mondo
Resene BR64-014-075
RGB 147, 138, 125
Resene suggests Waikawa Grey and White Pointer as companion colors.
Eighth Napa
Resene Y85-011-086
RGB 212, 205, 194
Resene reports an LRV of about 67.0 for Eighth Napa.
Eighth Nullarbor
Resene BR78-022-075
RGB 194, 180, 160
Resene suggests Racing Green and Fahrenheit as companion colors.
Eighth Oilskin
Resene BR65-010-063
RGB 146, 138, 130
Resene suggests Sea Fog and Heath as companion colors.
Eighth Parchment
Resene Y93-011-089
RGB 237, 233, 220
Resene reports an LRV of about 82.0 for Eighth Parchment.
Eighth Pavlova
Resene Y90-024-086
RGB 234, 224, 199
Resene suggests Double Pavlova and Bud as companion colors.
Eighth Pearl Lusta
Resene N97-006-097
RGB 249, 248, 240
Resene suggests Truffle and Triple Pearl Lusta as companion colors.
Eighth Pravda
Resene Y81-011-079
RGB 195, 188, 176
Resene reports an LRV of about 58.0 for Eighth Pravda.
Eighth Putty
Resene Y89-036-080
RGB 232, 216, 177
Resene suggests Lemon Grass and Cab Sav as companion colors.
Eighth Rice Cake
Resene N95-003-087
RGB 244, 243, 240
Resene suggests Caraway and Double Truffle as companion colors.
Eighth Sidewinder
Resene N76-003-335
RGB 176, 172, 174
Resene reports an LRV of about 51.0 for Eighth Sidewinder. Resene also sells this color as Ajay, with the same code and value.
Eighth Sisal
Resene Y91-016-083
RGB 235, 226, 209
Resene suggests Tapa and Quarter Rice Cake as companion colors.
Eighth Spanish White
Resene Y94-010-075
RGB 246, 238, 226
Resene suggests Spanish White and Havana as companion colors.
Eighth Stack
Resene N82-002-139
RGB 192, 193, 191
Resene reports an LRV of about 60.0 for Eighth Stack.
Eighth Stonehenge
Resene N79-006-075
RGB 189, 185, 178
Resene suggests Revolver and Spitfire as companion colors.
Eighth Stonewall
Resene Y76-014-083
RGB 178, 173, 158
Resene suggests Nero and Stonewall as companion colors.
Eighth Stonewashed
Resene Y81-011-072
RGB 207, 200, 192
Resene reports an LRV of about 58.0 for Eighth Stonewashed.
Eighth Tana
Resene G90-010-096
RGB 224, 222, 209
Resene suggests Double Tana and White as companion colors.
Eighth Tapa
Resene N78-005-103
RGB 183, 184, 178
Resene suggests Sea Fog and Gravel as companion colors.
Eighth Tea
Resene N90-005-072
RGB 226, 222, 216
Resene reports an LRV of about 77.0 for Eighth Tea.
Eighth Thorndon Cream
Resene N94-007-096
RGB 240, 238, 229
Resene suggests Linen and Half Ash as companion colors.
Eighth Truffle
Resene N90-007-078
RGB 230, 225, 218
Resene suggests Half Truffle and Cabbage Pont as companion colors.
Eighth Tuna
Resene B62-009-256
RGB 122, 127, 133
Resene reports an LRV of about 30.0 for Eighth Tuna.
Eighth Wheatfield
Resene G95-009-091
RGB 244, 241, 230
Resene suggests Half Bianca and Tana as companion colors.
El Cajon Clay
Benjamin Moore 1260
RGB 99, 69, 67
Benjamin Moore publishes an LRV of about 8.2 for El Cajon Clay.
El Capitan
Behr MQ4-56
RGB 43, 168, 218
Behr reports an LRV of about 33.0 for El Capitan. Behr marks El Capitan as archived.
El Capitan
PPG PPG1020-4
RGB 183, 166, 150
PPG describes El Capitan as a midtone, gray, earthy beige with a dusty pink undertone. PPG publishes an LRV of about 38 for El Capitan.
El Caramelo
Sherwin-Williams SW 9106
RGB 148, 110, 72
Sherwin-Williams publishes an LRV of about 17.9 for El Caramelo.
El Nino
Resene B69-017-252
RGB 146, 160, 172
Resene suggests Wanaka and Quarter Thorndon Cream as companion colors.
El Paso
Resene
RGB 57, 57, 44
Resene reports an LRV of about 8.0 for El Paso.
El Salva
Resene
RGB 143, 78, 69
Resene suggests Romance and Cavern Pink as companion colors.
El Sereno Gold
Benjamin Moore 223
RGB 185, 153, 91
Benjamin Moore reports an LRV of about 32.6 for El Sereno Gold.
Elation
Sherwin-Williams SW 6827
RGB 223, 220, 229
Sherwin-Williams reports an LRV of about 72.3 for Elation.
Elderberry
Pantone 17-1605 TCX
RGB 157, 132, 142
Elderberry
Sherwin-Williams SW 2902
RGB 124, 36, 61
Elderberry Wine
Benjamin Moore CSP-470
RGB 96, 46, 78
The elder of elderberry is a tree name recorded about 1400, from Middle English ellen and Old English ellæn, elder tree. Its origin is unclear, and Etymonline says the d is unetymological, perhaps borrowed from alder, a word that gained its own d in the 14th century. Benjamin Moore publishes an LRV of about 7.2 for Elderberry Wine.
Elderflower
Resene G96-009-093
RGB 247, 244, 236
Resene reports an LRV of about 90.0 for Elderflower.
Elderflower
Behr BXC-86
RGB 251, 249, 232
Behr reports an LRV of about 94.0 for Elderflower. Behr marks Elderflower as archived.
Electra
Behr P510-4
RGB 117, 181, 225
Behr reports an LRV of about 42.0 for Electra.
Electric
Resene M50-006-087
RGB 85, 83, 79
Resene suggests Incognito and Streetwise as companion colors.
Electric Blue
Benjamin Moore 2061-40
RGB 62, 144, 184
Electric goes back to the Modern Latin electricus, amber like, coined by William Gilbert in De Magnete in 1600 from the Greek ēlektron, amber. Sir Thomas Browne first used electric in English in the 1640s, for substances that attract other things when rubbed, and the sense charged with electricity dates from the 1670s. Benjamin Moore reports an LRV of about 27.7 for Electric Blue.
Electric Blue
Behr MQ4-24
RGB 43, 107, 170
Behr reports an LRV of about 14.0 for Electric Blue.
Electric Blue
xkcd survey
RGB 6, 82, 255
Electric Glow
Dunn-Edwards DEA119
RGB 255, 209, 0
Dunn-Edwards publishes an LRV of about 63 for Electric Glow.
Electric Green
Pantone 14-5721 TCX
RGB 75, 195, 168
Electric Green
xkcd survey
RGB 33, 252, 13
Electric Lime
Sherwin-Williams SW 6921
RGB 154, 186, 37
Sherwin-Williams reports an LRV of about 42.3 for Electric Lime.
Electric Lime
xkcd survey
RGB 168, 255, 4
Electric Orange
Benjamin Moore 2015-10
RGB 240, 112, 26
Benjamin Moore publishes an LRV of about 28.6 for Electric Orange.
Electric Orange
Behr 220B-7
RGB 234, 107, 49
Behr reports an LRV of about 28.0 for Electric Orange.
Electric Pink
xkcd survey
RGB 255, 4, 144
Electric Purple
xkcd survey
RGB 170, 35, 255
Electric Slide
Benjamin Moore 404
RGB 197, 210, 91
Benjamin Moore publishes an LRV of about 55.3 for Electric Slide.
Electrify
Behr T13-9
RGB 86, 101, 160
Behr reports an LRV of about 14.0 for Electrify. Behr marks Electrify as archived.
Elegant Ivory
Behr PWN-40
RGB 250, 240, 220
Behr publishes an LRV of about 88 for Elegant Ivory.
Elegant Navy
Behr M530-7
RGB 72, 81, 106
Elegant White
Behr ICC-20
RGB 245, 240, 225
Behr publishes an LRV of about 87 for Elegant White.
Element
Resene N30-002-253
RGB 69, 71, 72
Resene suggests Sandstone and Half Merino as companion colors.
Elemental
Benjamin Moore AF-400
RGB 177, 172, 141
Benjamin Moore publishes an LRV of about 40.2 for Elemental.
Elemental
PPG PPG1011-2
RGB 208, 211, 211
PPG describes Elemental as a light, cool, heather gray with a tinsel undertone. PPG publishes an LRV of about 66 for Elemental.
Elemental Gray
Behr PPU26-06
RGB 160, 160, 159
Behr reports an LRV of about 35.0 for Elemental Gray.
Elemental Green
Dunn-Edwards DE6271
RGB 150, 151, 131
Dunn-Edwards publishes an LRV of about 29 for Elemental Green.
Elemental Tan
Behr MQ2-21
RGB 202, 183, 156
Behr publishes an LRV of about 49 for Elemental Tan.
Elephant
Resene
RGB 36, 54, 64
Elephant appears about 1300 as Middle English olyfaunt, from Old French olifant, Latin elephantus and the Greek elephas, a word that meant both elephant and ivory. The spelling was remodeled on the Latin after 1550. Etymonline says the ultimate source may be a language outside the Indo European family, perhaps spread by the Phoenicians. Resene suggests Tussock and Lemon Grass as companion colors.
Elephant Ear
Sherwin-Williams SW 9168
RGB 152, 143, 133
Sherwin-Williams publishes an LRV of about 28.1 for Elephant Ear.
Elephant Gray
Benjamin Moore 2109-50
RGB 181, 171, 167
Benjamin Moore publishes an LRV of about 41.5 for Elephant Gray.
Elephant Gray
PPG PPG1005-5
RGB 141, 132, 127
PPG describes Elephant Gray as a saturated, warm, Merlot gray with an oaky undertone. PPG publishes an LRV of about 24 for Elephant Gray.
Elephant Pink
Benjamin Moore 2087-70
RGB 250, 231, 233
Benjamin Moore publishes an LRV of about 81.5 for Elephant Pink.
Elephant Skin
Pantone 17-0205 TCX
RGB 143, 137, 130
Elephant Skin
Behr PPU18-16
RGB 151, 146, 139
Behr publishes an LRV of about 29 for Elephant Skin.
Elephant Tusk
Benjamin Moore OC-8
RGB 228, 220, 196
Benjamin Moore publishes an LRV of about 69.5 for Elephant Tusk.
Elevate
Resene M68-029-246
RGB 96, 118, 139
Resene identifies Elevate as a blue metallic.
Elevated
Behr S530-2
RGB 179, 195, 212
Behr reports an LRV of about 53.0 for Elevated. Behr marks Elevated as archived.
Elf Green
Resene
RGB 27, 138, 107
Resene suggests Chetwode Blue and Rose Of Sharon as companion colors.
Elfin Yellow
Pantone 11-0620 TCX
RGB 238, 234, 151
Elite Wisteria
Behr 650B-6
RGB 152, 127, 169
Behr reports an LRV of about 25.0 for Elite Wisteria. Behr marks Elite Wisteria as archived.
Elixir
Resene G73-042-109
RGB 164, 170, 126
Resene suggests Pohutukawa and Thistle as companion colors.
Elk
Benjamin Moore CC-362
RGB 165, 141, 114
Elk is first recorded in late Old English as elch, and Etymonline gives more than one possible path: from Old Norse elgr, from an altered form of Old English elh or from Middle High German elch, all from a Proto Germanic elkh. Related Balto Slavic words for deer may trace to a root that refers to a reddish color. In North America the name was applied to similar looking but unrelated animals. Benjamin Moore publishes an LRV of about 27.9 for Elk.
Elk Horn
Benjamin Moore AF-105
RGB 151, 133, 104
Benjamin Moore publishes an LRV of about 24.7 for Elk Horn.
Elk Horn
Behr ECC-47-2
RGB 233, 226, 211
Behr reports an LRV of about 76.0 for Elk Horn.
Elkhound
Behr MQ1-56
RGB 137, 114, 105
Behr reports an LRV of about 18.0 for Elkhound.
Ellie Gray
Sherwin-Williams SW 7650
RGB 170, 169, 164
Sherwin-Williams reports an LRV of about 39.8 for Ellie Gray.
Elm
Pantone 16-0613 TCX
RGB 163, 159, 134
Elm is an Old English word from Proto Germanic elmaz, and it may come from an Indo European root meaning red or brown. Etymonline calls elm the toughest native European wood, used in shipbuilding and for wheel naves. New Haven, Connecticut, was nicknamed the Elm City by 1871.
Elm
Resene
RGB 41, 123, 118
Resene suggests San Marino and Cyprus as companion colors.
Elm Green
Pantone 18-0121 TCX
RGB 84, 112, 83
Elmira White
Benjamin Moore HC-84
RGB 219, 211, 195
Benjamin Moore publishes an LRV of about 64.7 for Elmira White.
Elmwood
Pantone 17-1019 TCX
RGB 140, 124, 97
Elusion
PPG PPG1005-2
RGB 210, 207, 204
PPG describes Elusion as a light, warm, sandy gray with a brick undertone. PPG publishes an LRV of about 63 for Elusion.
Elusive Blue
Behr T15-8
RGB 177, 199, 208
Behr reports an LRV of about 55.0 for Elusive Blue. Behr marks Elusive Blue as archived.
Elusive Dawn
Behr MQ2-36
RGB 213, 191, 173
Behr publishes an LRV of about 54 for Elusive Dawn.
Elusive Morel
Dunn-Edwards DEBN30
RGB 176, 157, 133
Dunn-Edwards publishes an LRV of about 35 for Elusive Morel.
Elusive Violet
Dunn-Edwards DE6010
RGB 212, 192, 197
Dunn-Edwards publishes an LRV of about 52 for Elusive Violet.
Elvis
Resene B44-097-273
RGB 22, 72, 155
Resene suggests Red Hot and Daydream as companion colors.
Embarcadero
Behr 140F-7
RGB 93, 70, 67
Behr reports an LRV of about 7.0 for Embarcadero. Behr marks Embarcadero as archived.
Embassy Green
Benjamin Moore 1523
RGB 184, 174, 149
Benjamin Moore publishes an LRV of about 42 for Embassy Green.
Embellished Blue
Sherwin-Williams SW 6749
RGB 215, 235, 226
Embellished Blue
Behr 510D-4
RGB 139, 199, 200
Behr reports an LRV of about 51.0 for Embellished Blue. Behr marks Embellished Blue as archived.
Emberglo
PPG PPG18-29
RGB 198, 121, 118
PPG describes Emberglo as a saturated, muted, coral pink with a raspberry undertone. PPG publishes an LRV of about 26 for Emberglo.
Emberglow
Pantone 17-1547 TCX
RGB 234, 103, 89
Emberglow
Sherwin-Williams SW 6627
RGB 214, 124, 86
Sherwin-Williams reports an LRV of about 29.3 for Emberglow.
Embers
Resene
RGB 140, 63, 48
Ember comes from the Old English æmerge, a small live coal, which merged with or was influenced by the Old Norse eimyrja, both from a Proto Germanic compound built on words for ashes and burning. Etymonline says the b is not part of the original word and first appears in the mid 15th century. Resene suggests Bamboo and Natural as companion colors.
Emboldened Blue
Dunn-Edwards DEFD50
RGB 51, 67, 119
Dunn-Edwards publishes an LRV of about 7 for Emboldened Blue.
Embroidered Flower
Benjamin Moore CSP-1190
RGB 180, 77, 81
Benjamin Moore reports an LRV of about 16.8 for Embroidered Flower.
Embroidery
Behr PPU17-09
RGB 212, 190, 191
Behr marks Embroidery as archived. Behr publishes an LRV of about 55 for Embroidery.
Emerald
Pantone 17-5641 TCX
RGB 0, 148, 115
Emerald entered English about 1300 as emeraude, from Old French esmeraude, Medieval Latin esmaraldus and Latin smaragdus, from the Greek smaragdos, green gem. The Greek word is traced to a Semitic source meaning shining, related to the Hebrew bareqeth, emerald. Etymonline notes that early gem names were vague and that the OED doubts the classical smaragdus was the modern emerald. Pantone named Emerald its Color of the Year for 2013.
Emerald
xkcd survey
RGB 1, 160, 73
Emerald Coast
Behr 490B-6
RGB 0, 145, 133
Behr marks Emerald Coast as archived. Behr publishes an LRV of about 21 for Emerald Coast.
Emerald Forest
Behr MQ4-49
RGB 80, 116, 74
Behr publishes an LRV of about 15 for Emerald Forest.
Emerald Green
Resene 10CW54
RGB 0, 108, 70
The 19th century pigment called emerald green, also known as Paris green or Schweinfurt green, was copper acetoarsenite, a compound of copper and arsenic. National Geographic reports that it was developed commercially in 1814 in Schweinfurt, Germany, and colored Victorian wallpaper, clothing and bookcloth even though arsenic's toxicity was known at the time. This Emerald Green belongs to Resene's Colorwood wood stain range.
Emerald Green
xkcd survey
RGB 2, 143, 30
Emerald Isle
Benjamin Moore 2039-20
RGB 0, 129, 88
Benjamin Moore publishes an LRV of about 15.8 for Emerald Isle.
Emerald Lake
Behr 470B-6
RGB 6, 146, 97
Behr marks Emerald Lake as archived. Behr publishes an LRV of about 22 for Emerald Lake.
Emerald Pool
Dunn-Edwards DE5699
RGB 0, 122, 94
Dunn-Edwards publishes an LRV of about 13 for Emerald Pool.
Emerald Pool
PPG PPG1146-7
RGB 21, 94, 96
PPG describes Emerald Pool as a dark, subdued, jade aqua with a malachite undertone. PPG publishes an LRV of about 8 for Emerald Pool.
Emerald Ring
Dunn-Edwards DE5629
RGB 87, 135, 88
Dunn-Edwards publishes an LRV of about 19 for Emerald Ring.
Emerald Vapor
Benjamin Moore 845
RGB 227, 238, 232
Benjamin Moore publishes an LRV of about 82.1 for Emerald Vapor.
Emerge
Resene G79-010-170
RGB 173, 186, 181
Resene suggests Tom Tom and Jurassic as companion colors.
Emergency Zone
Behr P190-6
RGB 227, 105, 64
Behr describes Emergency Zone as a vivid orange that is sure to get attention wherever it is placed. Behr publishes an LRV of about 27 for Emergency Zone.
Emerging Taupe
Sherwin-Williams SW 6045
RGB 184, 161, 150
Sherwin-Williams reports an LRV of about 37.8 for Emerging Taupe.
Emerson Gold
Brand color
RGB 255, 184, 28
Emerson College names Emerson Gold as a core brand color.
Emerson Purple
Brand color
RGB 95, 36, 159
Emerson College names Emerson Purple as a core brand color.
Eminence
Resene
RGB 110, 57, 116
Eminence meant a projection about 1400 and a high or exalted position by the early 15th century, from the Latin eminentia, from eminens, standing out. Since the 1650s it has been a title of honor, now given only to cardinals. The French éminence grise, gray eminence, first described the confidential agent of Cardinal Richelieu. Resene suggests Guardsman Red and Fun Blue as companion colors.
Eminence
Behr 550E-2
RGB 192, 210, 219
Behr marks Eminence as archived. Behr publishes an LRV of about 62 for Eminence.
Eminent Bronze
Sherwin-Williams SW 6412
RGB 122, 104, 65
Sherwin-Williams reports an LRV of about 14.5 for Eminent Bronze.
Emory Blue
Brand color
RGB 1, 33, 105
Emory University names Emory Blue as the traditional primary blue that leads each design.
Emotional
Sherwin-Williams SW 6621
RGB 198, 95, 71
Sherwin-Williams reports an LRV of about 20.6 for Emotional.
Emperador
Pantone 18-1028 TCX
RGB 104, 72, 50
Emperor
Resene
RGB 80, 73, 74
Emperor came into English in the early 13th century from Old French empereor and the Latin imperator, commander, from imperare, to command. In Rome it was first a title given by the army's vote to a victorious general, and the Senate later granted it to Julius and Augustus Caesar. Resene reports an LRV of about 13.0 for Emperor.
Emperor Jade
Dunn-Edwards DE5734
RGB 0, 123, 117
Dunn-Edwards publishes an LRV of about 14 for Emperor Jade.
Emperor's Silk
Behr T16-03
RGB 0, 129, 106
Behr marks Emperor's Silk as archived. Behr publishes an LRV of about 16 for Emperor's Silk.
Empire Blue
Behr MQ5-56
RGB 97, 147, 180
Behr marks Empire Blue as archived. Behr publishes an LRV of about 27 for Empire Blue.
Empire Gold
Sherwin-Williams SW 0012
RGB 193, 159, 110
Sherwin-Williams reports an LRV of about 37.2 for Empire Gold.
Empire Porcelain
Behr T13-2
RGB 224, 219, 211
Behr reports an LRV of about 71.0 for Empire Porcelain.
Empire Yellow
Pantone 14-0756 TCX
RGB 247, 208, 0
Empire Yellow
Behr 340B-7
RGB 255, 189, 0
Behr marks Empire Yellow as archived. Behr publishes an LRV of about 59 for Empire Yellow.
Empress
Resene
RGB 124, 113, 115
Resene suggests Alto and Oxley as companion colors.
Empress Teal
Behr 510B-7
RGB 0, 139, 150
Behr reports an LRV of about 20.0 for Empress Teal.
Empress Teal
PPG PPG1142-7
RGB 16, 96, 90
PPG describes Empress Teal as a dark, muted, teal aqua green with a jewel undertone. PPG publishes an LRV of about 9 for Empress Teal.
Empty Quarter
Benjamin Moore CSP-1085
RGB 233, 202, 166
Benjamin Moore's page says this color was renamed Empty Quarter.
EMU Blue
Brand color
RGB 0, 86, 184
Eastern Mennonite University names EMU Blue as its brand blue (PMS 2935 C).
EMU Gray
Brand color
RGB 186, 188, 190
Eastern Mennonite University names EMU Gray as a brand color.
En Plein Air
Dunn-Edwards DET623
RGB 208, 197, 190
Dunn-Edwards publishes an LRV of about 57 for En Plein Air.
Enamel Blue
Pantone 18-4733 TCX
RGB 0, 122, 142
Enamored
Behr M150-5
RGB 198, 125, 132
Behr publishes an LRV of about 28 for Enamored.
Enchant
Sherwin-Williams SW 6555
RGB 209, 198, 210
Sherwin-Williams reports an LRV of about 58.6 for Enchant.
Enchante
Resene Y88-031-077
RGB 238, 213, 186
Resene suggests Alto and Link Water as companion colors.
Enchanted
Resene M60-078-344
RGB 146, 58, 100
Resene describes Enchanted as a warm metallic pink.
Enchanted
Benjamin Moore 2070-50
RGB 175, 175, 203
Benjamin Moore publishes an LRV of about 44.6 for Enchanted.
Enchanted Eve
Dunn-Edwards DE6313
RGB 121, 131, 127
Dunn-Edwards publishes an LRV of about 21 for Enchanted Eve.
Enchanted Evening
Behr 640F-6
RGB 103, 103, 123
Behr marks Enchanted Evening as archived. Behr publishes an LRV of about 14 for Enchanted Evening.
Enchanted Forest
Benjamin Moore 700
RGB 96, 110, 99
Benjamin Moore publishes an LRV of about 16 for Enchanted Forest.
Enchanted Meadow
Behr M410-3
RGB 177, 212, 183
Behr publishes an LRV of about 60 for Enchanted Meadow.
Enchanted Wells
Behr P430-5
RGB 38, 173, 141
Behr publishes an LRV of about 32 for Enchanted Wells.
Enchanting
Behr 560B-4
RGB 130, 186, 223
Behr marks Enchanting as archived. Behr publishes an LRV of about 45 for Enchanting.
Enchanting Ginger
Behr S-H-320
RGB 172, 116, 53
Behr marks Enchanting Ginger as archived. Behr publishes an LRV of about 22 for Enchanting Ginger.
Enchanting Ivy
Dunn-Edwards DEA179
RGB 49, 89, 85
Dunn-Edwards publishes an LRV of about 8 for Enchanting Ivy.
Enchanting Sky
Dunn-Edwards DE5900
RGB 120, 134, 170
Dunn-Edwards publishes an LRV of about 23 for Enchanting Sky.
Encore
Resene R32-059-003
RGB 84, 22, 44
Resene reports an LRV of about 7.0 for Encore.
Encore
Behr MQ5-11
RGB 109, 115, 131
Behr marks Encore as archived. Behr publishes an LRV of about 17 for Encore.
Encore Teal
Dunn-Edwards DEA182
RGB 48, 82, 91
Dunn-Edwards publishes an LRV of about 7 for Encore Teal.
End Of The Rainbow
Behr P400-2
RGB 210, 238, 214
Behr reports an LRV of about 80.0 for End Of The Rainbow.
Endeavour
Resene
RGB 0, 128, 185
Resene suggests Anakiwa and Tranquil as companion colors.
Endive
Pantone 13-0632 TCX
RGB 210, 204, 129
Endive
Dunn-Edwards DE5618
RGB 206, 225, 200
Dunn-Edwards publishes an LRV of about 66 for Endive.
Endless Sea
Sherwin-Williams SW 9150
RGB 50, 88, 110
Sherwin-Williams publishes an LRV of about 8.7 for Endless Sea.
Endless Sky
Behr PPL-24
RGB 202, 227, 234
Behr marks Endless Sky as archived. Behr publishes an LRV of about 73 for Endless Sky.
Endorphin
Resene B65-074-222
RGB 65, 144, 173
Resene suggests Wellywood and Sensual Red as companion colors.
Enduring
Behr 610D-6
RGB 88, 102, 131
Behr reports an LRV of about 13.0 for Enduring. Behr marks Enduring as archived.
Enduring Bronze
Sherwin-Williams SW 7055
RGB 85, 76, 62
Sherwin-Williams reports an LRV of about 7.5 for Enduring Bronze.
Enduring Ice
PPG PPG1102-1
RGB 235, 232, 219
PPG describes Enduring Ice as a pale, neutral, budding off white with a sage undertone. PPG publishes an LRV of about 79 for Enduring Ice.
Energetic Orange
Sherwin-Williams SW 6880
RGB 216, 87, 57
Sherwin-Williams reports an LRV of about 21.7 for Energetic Orange. Sherwin-Williams marks Energetic Orange as archived.
Energetic Pink
Behr P150-2
RGB 243, 198, 204
Behr describes Energetic Pink as a light, playful raspberry rose that's just ripe for brightening a room. Behr publishes an LRV of about 64 for Energetic Pink.
Energise
Resene O66-161-060
RGB 241, 110, 0
Resene suggests Leap Year and Wishing Well as companion colors.
Energy Orange
Dunn-Edwards DE5223
RGB 255, 149, 50
Dunn-Edwards publishes an LRV of about 42 for Energy Orange.
Energy Yellow
Resene
RGB 245, 215, 82
Resene reports an LRV of about 70.0 for Energy Yellow.
Engagement
Benjamin Moore 1277
RGB 228, 178, 181
Benjamin Moore publishes an LRV of about 51.7 for Engagement.
Engagement Silver
Behr PPU25-14
RGB 194, 198, 192
Behr publishes an LRV of about 55 for Engagement Silver.
Englewood Cliffs
Benjamin Moore 1607
RGB 127, 132, 135
Benjamin Moore publishes an LRV of about 23.8 for Englewood Cliffs.
English Brown
Benjamin Moore 2100-30
RGB 125, 86, 72
Benjamin Moore publishes an LRV of about 12.9 for English Brown.
English Channel
Behr PPU14-19
RGB 78, 97, 115
Behr publishes an LRV of about 11 for English Channel.
English Custard
Behr M290-5
RGB 226, 182, 108
Behr publishes an LRV of about 51 for English Custard.
English Daisy
Behr P290-6
RGB 255, 202, 70
Behr publishes an LRV of about 66 for English Daisy.
English Forest
Dunn-Edwards DE6280
RGB 96, 98, 86
Dunn-Edwards publishes an LRV of about 11 for English Forest.
English Holly
Resene
RGB 39, 66, 52
Resene suggests Red Berry and Rusty Nail as companion colors.
English Holly
Dunn-Edwards DE5649
RGB 104, 132, 106
Dunn-Edwards publishes an LRV of about 19 for English Holly.
English Hollyhock
Behr HDC-CT-16A
RGB 181, 201, 211
Behr reports an LRV of about 56.0 for English Hollyhock.
English Hyacinth
Benjamin Moore 1417
RGB 200, 208, 227
Benjamin Moore publishes an LRV of about 61.9 for English Hyacinth.
English Ivy
Pantone 18-0110 TCX
RGB 97, 132, 91
English Lavender
Pantone 17-3617 TCX
RGB 157, 123, 176
English Manor
Pantone 17-3920 TCX
RGB 113, 129, 164
English Manor
Benjamin Moore 2103-20
RGB 109, 67, 56
Benjamin Moore publishes an LRV of about 8.3 for English Manor.
English Manor
Behr 730B-7
RGB 97, 77, 72
Behr marks English Manor as archived. Behr publishes an LRV of about 8 for English Manor.
English Ochre
Benjamin Moore CW-290
RGB 189, 125, 72
Benjamin Moore publishes an LRV of about 26.3 for English Ochre.
English River
Dunn-Edwards DE5789
RGB 60, 118, 138
Dunn-Edwards publishes an LRV of about 15 for English River.
English Rose
Pantone 13-1310 TCX
RGB 244, 198, 195
English Saddle
Behr 270F-7
RGB 142, 105, 71
Behr marks English Saddle as archived. Behr publishes an LRV of about 16 for English Saddle.
English Scone
Dunn-Edwards DE6108
RGB 233, 207, 187
Dunn-Edwards publishes an LRV of about 61 for English Scone.
English Violet
Dunn-Edwards DEFD03
RGB 65, 62, 86
Dunn-Edwards publishes an LRV of about 6 for English Violet.
English Walnut
Resene
RGB 71, 59, 47
Enigma
Resene B46-040-283
RGB 81, 80, 114
Enigma came into English in 1539 from the Latin aenigma, a riddle, borrowed from the Greek ainigma, a statement in allusive language. The Greek word grew from a verb meaning to hint or speak obscurely, from ainos, a tale or riddle of unclear origin. Resene suggests Rum Swizzle and Mischka as companion colors.
Enigma
Sherwin-Williams SW 6018
RGB 139, 124, 126
Sherwin-Williams reports an LRV of about 21.3 for Enigma.
Enigma
Behr N100-1
RGB 223, 221, 223
Behr marks Enigma as archived. Behr publishes an LRV of about 73 for Enigma.
Enigmatic
Behr BNC-30
RGB 126, 114, 117
Behr marks Enigmatic as archived. Behr publishes an LRV of about 18 for Enigmatic.
Enjoy
PPG PPG1071-2
RGB 234, 212, 196
PPG describes Enjoy as a light, subdued, veiled orange with a red undertone. PPG publishes an LRV of about 69 for Enjoy.
Enjoyable Yellow
Sherwin-Williams SW 6666
RGB 245, 214, 169
Sherwin-Williams reports an LRV of about 70.7 for Enjoyable Yellow.
Enlightened Lime
Sherwin-Williams SW 6721
RGB 227, 234, 214
Sherwin-Williams reports an LRV of about 79.9 for Enlightened Lime. Sherwin-Williams marks Enlightened Lime as archived.
Ensign Blue
Pantone 19-4026 TCX
RGB 56, 76, 103
Enticing Red
Sherwin-Williams SW 6600
RGB 183, 78, 79
Sherwin-Williams reports an LRV of about 16.2 for Enticing Red.
Entourage
Resene O60-086-056
RGB 181, 107, 60
Resene suggests Calibre and Atlas as companion colors.
Entry Coat Rack
Dunn-Edwards DEBN52
RGB 141, 122, 91
Dunn-Edwards publishes an LRV of about 20 for Entry Coat Rack.
Envious Pastel
Dunn-Edwards DE5576
RGB 221, 243, 194
Dunn-Edwards publishes an LRV of about 77 for Envious Pastel.
Environmental
Behr PPU11-09
RGB 177, 181, 160
Behr publishes an LRV of about 45 for Environmental.
Envy
Resene
RGB 139, 165, 143
Envy entered English in the late 13th century from Old French envie and the Latin invidia, from invidere, which joins in, upon, and videre, to see. Its original sense was to look upon someone with malice or cast an evil eye. Resene suggests Bali Hai and Everglade as companion colors.
Envy
Sherwin-Williams SW 6925
RGB 53, 140, 63
Sherwin-Williams reports an LRV of about 19.9 for Envy.
Eon
Behr N370-2
RGB 212, 211, 201
Eon entered English in the 1640s through Late Latin aeon from the Greek aiōn, an age, a lifetime or a long period of time, whose plural came to mean eternity. Its root is an Indo European word for life force or long life. Behr describes Eon as a neutral pale gray with a slight glimpse of a green undertones. Behr publishes an LRV of about 65 for Eon.
Ephemera
Pantone 18-1708 TCX
RGB 111, 89, 101
Ephemera began in the late 14th century as a medical term, from the Medieval Latin ephemera febris, a fever lasting one day. The Greek source ephemeros means lasting only a day, from epi, on, and hemera, day. The word spread to short lived insects and flowers in the 17th century, and the general sense of anything transitory is attested from 1751.
Epic
Resene B33-032-248
RGB 55, 81, 97
Resene reports an LRV of about 8.0 for Epic.
Epiphany
Resene G66-062-138
RGB 106, 154, 98
Resene suggests Talisman and Hot August as companion colors.
Epiphany
Behr P100-3
RGB 219, 193, 222
Behr reports an LRV of about 59.0 for Epiphany.
Epitome
Resene G78-019-096
RGB 198, 193, 178
Resene reports an LRV of about 53.0 for Epitome.
Epsom
Pantone 17-0324 TCX
RGB 132, 145, 97
Equator
Resene
RGB 218, 177, 96
Equator was borrowed in the late 14th century from the Medieval Latin aequator diei et noctis, equalizer of day and night, from aequare, to make equal. It first named the celestial equator, where day and night are equal when the sun is on it twice a year, and the line around the earth midway between the poles is recorded from the 1610s. Resene suggests Revolver and Cab Sav as companion colors.
Equator Glow
Behr PMD-10
RGB 255, 230, 160
Behr marks Equator Glow as archived. Behr publishes an LRV of about 81 for Equator Glow.
Equatorial
Behr P250-4
RGB 255, 206, 132
Behr publishes an LRV of about 68 for Equatorial.
Equestrian
Dunn-Edwards DET661
RGB 190, 167, 129
Dunn-Edwards publishes an LRV of about 39 for Equestrian.
Equestrian Gray
Benjamin Moore 1553
RGB 144, 136, 120
Benjamin Moore publishes an LRV of about 25.3 for Equestrian Gray.
Equestrian Green
Behr S410-7
RGB 84, 101, 79
Behr publishes an LRV of about 12 for Equestrian Green.
Equestrian Leather
Behr HDC-CL-24G
RGB 91, 86, 82
Behr reports an LRV of about 9.0 for Equestrian Leather. Behr marks Equestrian Leather as archived.
Equilibrium
Resene WW0816
RGB 119, 110, 91
Resene suggests Woody Bay and Atmosphere as companion colors.
Equilibrium
Behr T18-20
RGB 72, 97, 89
Behr publishes an LRV of about 11 for Equilibrium.
Equilibrium
PPG PPG1003-4
RGB 164, 159, 159
PPG describes Equilibrium as a midtone, warm, heliotrope gray with a raspberry undertone. PPG publishes an LRV of about 36 for Equilibrium.
Equinox
Dunn-Edwards DET616
RGB 98, 105, 107
Dunn-Edwards publishes an LRV of about 14 for Equinox.
Era
Behr MQ3-56
RGB 215, 227, 229
Behr reports an LRV of about 75.0 for Era.
Eraser Pink
Benjamin Moore 2174-50
RGB 232, 187, 180
Benjamin Moore reports an LRV of about 53.6 for Eraser Pink.
Erica
Resene R44-097-038
RGB 129, 51, 45
Resene suggests Maestro and Tea as companion colors.
Erin Green
Benjamin Moore 608
RGB 0, 145, 122
Benjamin Moore publishes an LRV of about 23.5 for Erin Green.
Ermine
Pantone 18-1022 TCX
RGB 131, 107, 79
Eros Pink
Sherwin-Williams SW 6860
RGB 200, 79, 104
Erotic
Resene R50-071-018
RGB 148, 65, 76
Resene reports an LRV of about 19.0 for Erotic.
Escapade
Resene B61-029-247
RGB 102, 124, 145
Resene suggests Cut Glass and Anise as companion colors.
Escapade Gold
Sherwin-Williams SW 6403
RGB 184, 155, 89
Sherwin-Williams reports an LRV of about 34.3 for Escapade Gold.
Escape
Resene B81-028-221
RGB 158, 192, 202
Resene reports an LRV of about 59.0 for Escape.
Escape Gray
Sherwin-Williams SW 6185
RGB 171, 172, 159
Sherwin-Williams reports an LRV of about 40.6 for Escape Gray.
Escarpment
Benjamin Moore CC-518
RGB 162, 157, 150
Escarpment entered English in 1802 from French, from escarper, to make into a steep slope, and ultimately the Italian scarpa, slope. The shorter escarp dates to the 1680s, and scarp first described the inner slope of the ditch around a fortification. Benjamin Moore publishes an LRV of about 34.5 for Escarpment.
Esmeralda
Behr P440-6
RGB 52, 149, 129
Behr reports an LRV of about 24.0 for Esmeralda.
Espalier
Sherwin-Williams SW 6734
RGB 47, 95, 58
An espalier is a fruit tree or shrub trained to grow flat against a wall or trellis, and Merriam-Webster dates the noun in English to 1662. The word came from French and goes back to the Italian spalla, shoulder, from the Late Latin spatula, shoulder blade. Sherwin-Williams reports an LRV of about 9.1 for Espalier.
Espirit
Resene B42-023-206
RGB 53, 78, 81
Resene suggests Hermitage and Attitude as companion colors.
Espresso
Pantone 19-1103 TCX
RGB 54, 48, 49
Espresso, coffee brewed under steam pressure, is dated to 1945 in English. It comes from the Italian caffè espresso, from esprimere, from the Latin exprimere, to press out, and Etymonline ties the name to that pressure. Expresso is listed as a variant spelling.
Espresso
Resene
RGB 78, 49, 45
Resene suggests Dutch White and Revolver as companion colors.
Espresso
Benjamin Moore 2099-30
RGB 124, 85, 71
Benjamin Moore publishes an LRV of about 12.6 for Espresso.
Espresso Bark
Benjamin Moore CSP-390
RGB 84, 66, 59
Benjamin Moore publishes an LRV of about 8.2 for Espresso Bark.
Espresso Bean
Benjamin Moore CSP-30
RGB 59, 50, 48
Benjamin Moore publishes an LRV of about 5.5 for Espresso Bean.
Espresso Beans
Behr PPU5-01
RGB 76, 68, 62
Behr describes Espresso Beans as a caffeinated dark brown that is bold and beautiful with a dash of mystery. Behr publishes an LRV of about 6 for Espresso Beans.
Espresso Coffee
Behr PPH-74
RGB 94, 76, 72
Behr publishes an LRV of about 8 for Espresso Coffee.
Espresso Macchiato
Dunn-Edwards DET680
RGB 79, 71, 68
Dunn-Edwards publishes an LRV of about 7 for Espresso Macchiato.
Espresso Martini
Behr N210-4
RGB 170, 156, 142
Behr describes Espresso Martini as a soft, mid taupe neutral, flavored by coffee brown and notes of gray. Behr publishes an LRV of about 34 for Espresso Martini.
Essence
Resene V83-018-290
RGB 195, 191, 212
Resene suggests Half Cut Glass and Steam Roller as companion colors.
Essence of Violet
Dunn-Edwards DEW396
RGB 239, 237, 238
Dunn-Edwards publishes an LRV of about 78 for Essence of Violet.
Essential Brown
Behr BNC-03
RGB 195, 180, 157
Behr reports an LRV of about 47.0 for Essential Brown.
Essential Brown
Dunn-Edwards DE6203
RGB 125, 104, 72
Dunn-Edwards publishes an LRV of about 14 for Essential Brown.
Essential Cream
Resene Y80-079-077
RGB 220, 182, 111
Resene reports an LRV of about 56.0 for Essential Cream.
Essential Gray
Sherwin-Williams SW 6002
RGB 188, 184, 182
Sherwin-Williams reports an LRV of about 48.4 for Essential Gray.
Essential Teal
Behr T15-3
RGB 0, 115, 119
Behr marks Essential Teal as archived. Behr publishes an LRV of about 13 for Essential Teal.
Essex Blue
Behr S500-2
RGB 176, 204, 218
Behr reports an LRV of about 57.0 for Essex Blue. Behr marks Essex Blue as archived.
Essex Green
Benjamin Moore HC-188
RGB 39, 54, 46
Benjamin Moore publishes an LRV of about 5.6 for Essex Green.
Establish Mint
Behr M400-1
RGB 226, 237, 221
Behr reports an LRV of about 82.0 for Establish Mint.
Estate Blue
Pantone 19-4027 TCX
RGB 35, 54, 88
Estate Limestone
Behr QE-27
RGB 220, 205, 180
Behr reports an LRV of about 62.0 for Estate Limestone. Behr marks Estate Limestone as archived.
Estate Sale
Benjamin Moore CSP-795
RGB 172, 174, 146
Benjamin Moore publishes an LRV of about 40.9 for Estate Sale.
Estate Vineyard
Behr PMD-63
RGB 104, 69, 75
Behr reports an LRV of about 8.0 for Estate Vineyard. Behr marks Estate Vineyard as archived.
Etched Glass
Benjamin Moore 626
RGB 177, 207, 186
Benjamin Moore reports an LRV of about 56.2 for Etched Glass.
Etched Glass
Behr MQ3-27
RGB 221, 226, 226
Behr describes Etched Glass as a barely there blue dusted by a touch of frost. Behr publishes an LRV of about 75 for Etched Glass.
Eternal Elegance
Behr M540-3
RGB 179, 195, 221
Behr publishes an LRV of about 54 for Eternal Elegance.
Eternity
Resene
RGB 45, 47, 40
Resene describes Eternity as a blackened green with a yellow influence.
Eternity
Benjamin Moore AF-695
RGB 190, 194, 194
Benjamin Moore publishes an LRV of about 52.2 for Eternity.
Ether
Pantone 14-4506 TCX
RGB 158, 182, 184
Etherea
Pantone 15-1506 TCX
RGB 165, 149, 143
Ethereal
Resene R85-015-038
RGB 226, 210, 206
Ethereal, from ether, is recorded from the 1510s for the highest regions of the atmosphere. Ether comes through Latin from the Greek aithēr, the bright pure upper air, from a verb meaning to burn or shine. The sense light and airy dates from the 1590s and spirit like from the 1640s. Resene suggests Meditation and Poured Milk as companion colors.
Ethereal
PPG PPG1088-2
RGB 238, 222, 199
PPG describes Ethereal as a light, muted, golden yellow with a honey yellow undertone. PPG publishes an LRV of about 74 for Ethereal.
Ethereal Blue
Pantone 15-4323 TCX
RGB 92, 166, 206
Ethereal Green
Pantone 11-0609 TCX
RGB 241, 236, 202
Ethereal Mood
Sherwin-Williams SW 7639
RGB 174, 165, 148
Sherwin-Williams reports an LRV of about 38.2 for Ethereal Mood.
Ethereal Mood
Behr MQ3-52
RGB 204, 231, 235
Behr publishes an LRV of about 76 for Ethereal Mood.
Ethereal White
Sherwin-Williams SW 6182
RGB 227, 226, 217
Sherwin-Williams reports an LRV of about 75.9 for Ethereal White.
Ethereal White
Behr BL-W04
RGB 230, 241, 241
Behr publishes an LRV of about 86 for Ethereal White.
Ethiopia
Behr PPU5-06
RGB 150, 135, 119
Behr publishes an LRV of about 25 for Ethiopia.
Etiquette
Benjamin Moore AF-50
RGB 229, 224, 213
Benjamin Moore publishes an LRV of about 74 for Etiquette.
Etiquette
Behr S120-2
RGB 226, 208, 214
Behr describes Etiquette as a light lavender and pink blend that projects an airy, open feel. Behr publishes an LRV of about 66 for Etiquette.
Etruscan
Benjamin Moore AF-355
RGB 175, 130, 85
Benjamin Moore publishes an LRV of about 26.1 for Etruscan.
Etruscan Red
Pantone 18-1434 TCX
RGB 162, 87, 75
Etude Lilac
Behr N100-2
RGB 213, 210, 215
Behr reports an LRV of about 65.0 for Etude Lilac. Behr marks Etude Lilac as archived.
Eucalyptus
Pantone 15-0513 TCX
RGB 177, 169, 146
Eucalyptus was coined in Modern Latin in 1788 by the French botanist Charles Louis L'Héritier de Brutelle and reached English in 1789. It joins the Greek eu, well, and kalyptos, covered, a reference to the covering over the flower buds of these Australian evergreen trees.
Eucalyptus
Resene
RGB 50, 151, 96
Resene reports an LRV of about 30.0 for Eucalyptus.
Eucalyptus
Benjamin Moore 621
RGB 126, 187, 166
Benjamin Moore publishes an LRV of about 42.9 for Eucalyptus.
Eucalyptus
Behr QE-44
RGB 142, 160, 150
Behr publishes an LRV of about 33 for Eucalyptus.
Eucalyptus Leaf
Benjamin Moore 2144-20
RGB 131, 133, 94
Benjamin Moore publishes an LRV of about 23.3 for Eucalyptus Leaf.
Eucalyptus Leaf
Behr 490D-4
RGB 153, 198, 188
Behr marks Eucalyptus Leaf as archived. Behr publishes an LRV of about 51 for Eucalyptus Leaf.
Eucalyptus Wreath
Behr N390-5
RGB 136, 146, 126
Behr publishes an LRV of about 27 for Eucalyptus Wreath.
Eunry
Resene
RGB 205, 165, 156
Resene suggests Mule Fawn and Hairy Heath as companion colors.
Euphoric Lilac
Sherwin-Williams SW 6835
RGB 218, 199, 218
Sherwin-Williams reports an LRV of about 60.8 for Euphoric Lilac.
Euphoric Magenta
Behr M110-7
RGB 127, 87, 109
Behr publishes an LRV of about 12 for Euphoric Magenta.
Eureka
Resene G44-015-194
RGB 65, 91, 78
Resene suggests Rivendell and Arabella as companion colors.
Euro Gray
Behr PPU25-17
RGB 133, 136, 133
Behr publishes an LRV of about 24 for Euro Gray.
Euro Linen
PPG PPG1083-2
RGB 242, 232, 219
PPG describes Euro Linen as a light, muted, candy corn orange with a golden sunshine undertone. PPG publishes an LRV of about 80 for Euro Linen.
Eurolinen
Behr 250E-1
RGB 238, 226, 211
Behr reports an LRV of about 77.0 for Eurolinen.
Evaporation
Behr N450-1
RGB 209, 213, 211
Behr publishes an LRV of about 66 for Evaporation.
Eve Green
Benjamin Moore 2024-20
RGB 204, 187, 14
Benjamin Moore publishes an LRV of about 44.7 for Eve Green.
Even Better Beige
Behr DC-010
RGB 212, 202, 186
Behr describes Even Better Beige as an elevated neutral with subtle distinction. Behr publishes an LRV of about 60 for Even Better Beige.
Even Growth
Dunn-Edwards DE5494
RGB 178, 170, 122
Dunn-Edwards publishes an LRV of about 37 for Even Growth.
Evening Blue
Pantone 19-3815 TCX
RGB 42, 41, 62
Evening Blue
Benjamin Moore 2066-20
RGB 0, 78, 147
Benjamin Moore publishes an LRV of about 9.6 for Evening Blue.
Evening Canyon
Behr ECC-27-3
RGB 69, 67, 65
Behr marks Evening Canyon as archived. Behr publishes an LRV of about 6 for Evening Canyon.
Evening Dove
Benjamin Moore 2128-30
RGB 81, 90, 103
Benjamin Moore publishes an LRV of about 12 for Evening Dove.
Evening Emerald
PPG PPG1144-6
RGB 86, 115, 111
PPG describes Evening Emerald as a deep, shaded, jade aqua green with a malachite undertone. PPG publishes an LRV of about 15 for Evening Emerald.
Evening Fog
Behr ECC-61-3
RGB 140, 153, 151
Behr marks Evening Fog as archived. Behr publishes an LRV of about 31 for Evening Fog.
Evening Gown
Benjamin Moore CSP-375
RGB 181, 169, 157
Benjamin Moore publishes an LRV of about 40.9 for Evening Gown.
Evening Grove
Benjamin Moore 1526
RGB 111, 102, 78
Benjamin Moore publishes an LRV of about 13.7 for Evening Grove.
Evening Haze
Pantone 14-3904 TCX
RGB 189, 184, 199
Evening Hush
Behr 770F-6
RGB 79, 82, 83
Behr reports an LRV of about 8.0 for Evening Hush.
Evening In Paris
Behr N560-4
RGB 147, 143, 159
Behr publishes an LRV of about 28 for Evening In Paris.
Evening Mist
PPG PPG1038-1
RGB 227, 233, 232
PPG describes Evening Mist as a pale, neutral, arctic blue with a twilight undertone. PPG publishes an LRV of about 81 for Evening Mist.
Evening Primrose
Pantone 13-0651 TCX
RGB 204, 219, 30
Evening Sand
Pantone 14-1311 TCX
RGB 221, 182, 171
Evening Sea
Resene
RGB 38, 96, 79
Resene suggests Scarlet Gum and Shark as companion colors.
Evening Shadow
Sherwin-Williams SW 7662
RGB 201, 204, 205
Sherwin-Williams reports an LRV of about 60.0 for Evening Shadow.
Evening Shadow
Dunn-Edwards DEW376
RGB 234, 242, 241
Dunn-Edwards publishes an LRV of about 80 for Evening Shadow.
Evening Sky
Benjamin Moore 833
RGB 70, 73, 86
Benjamin Moore publishes an LRV of about 7.3 for Evening Sky.
Evening Skyline
Benjamin Moore CSP-505
RGB 145, 137, 139
Benjamin Moore publishes an LRV of about 26.6 for Evening Skyline.
Evening Slipper
Behr M560-4
RGB 169, 158, 193
Behr publishes an LRV of about 37 for Evening Slipper.
Evening Storm
Behr PPF-48
RGB 70, 80, 88
Behr marks Evening Storm as archived. Behr publishes an LRV of about 8 for Evening Storm.
Evening Symphony
Behr PMD-64
RGB 81, 99, 123
Behr marks Evening Symphony as archived. Behr publishes an LRV of about 12 for Evening Symphony.
Evening White
Benjamin Moore 907
RGB 243, 230, 211
Benjamin Moore publishes an LRV of about 78 for Evening White.
Evening White
Behr N460-1
RGB 216, 219, 215
Behr publishes an LRV of about 70 for Evening White.
Eventide
Pantone 16-3919 TCX
RGB 149, 158, 183
Eventide, an old word for evening, comes from the Old English æfentid, joining even and tide. Tide first meant a point or portion of time, and the Old English tīd also meant a season, a feast day or a canonical hour.
Eventide
Sherwin-Williams SW 9643
RGB 163, 175, 172
Sherwin-Williams publishes an LRV of about 41 for Eventide.
Eventide
Dunn-Edwards DET406
RGB 101, 100, 112
Dunn-Edwards publishes an LRV of about 13 for Eventide.
Everard Blue
Benjamin Moore CW-575
RGB 61, 84, 89
Benjamin Moore links this Williamsburg collection color to an early 18th century interior at the Thomas Everard House.
Everard Coffee
Benjamin Moore CW-150
RGB 138, 122, 102
Benjamin Moore publishes an LRV of about 21.6 for Everard Coffee.
Everard Gold
Benjamin Moore CW-435
RGB 173, 149, 103
Benjamin Moore reports an LRV of about 31.8 for Everard Gold.
Everblooming
Behr M190-2
RGB 240, 200, 182
Behr describes Everblooming as a slightly dusty tea rose pink, reminiscent of a late blooming tulip. Behr publishes an LRV of about 63 for Everblooming.
Everest
Resene V41-009-303
RGB 76, 72, 80
Resene reports an LRV of about 12.0 for Everest.
Everglade
Pantone 19-5226 TCX
RGB 0, 91, 93
Everglade
Resene
RGB 38, 67, 52
Resene reports an LRV of about 9.0 for Everglade.
Everglade
Behr MQ6-60
RGB 189, 176, 120
Behr publishes an LRV of about 43 for Everglade.
Everglades
Benjamin Moore 641
RGB 131, 172, 157
Everglades is recorded in 1826, from everglade of 1823, the year Charles Vignoles wrote of the Eternal Glades and the Ever Glade morass in Florida. Etymonline reads ever here as probably endless, and glade, a clear open space in a wood, took the American sense of low marshy grassland by 1789. Benjamin Moore publishes an LRV of about 37.4 for Everglades.
Evergreen
Pantone 19-5420 TCX
RGB 17, 87, 74
Evergreen, joining ever and green, was used of trees and shrubs in the 1640s, became an adjective in the 1660s and took a figurative sense in 1871. Green itself comes from the Old English grene, of the color of living plants, from an ancient root meaning to grow.
Evergreen
Resene WW0813
RGB 40, 55, 47
Evergreen
xkcd survey
RGB 5, 71, 42
Evergreen Bough
Behr 700F-7
RGB 83, 92, 85
Behr marks Evergreen Bough as archived. Behr publishes an LRV of about 10 for Evergreen Bough.
Evergreen Field
Behr HDC-WR16-05
RGB 71, 83, 79
Behr marks Evergreen Field as archived. Behr publishes an LRV of about 8 for Evergreen Field.
Evergreen Fog
Sherwin-Williams SW 9130
RGB 149, 151, 138
Sherwin-Williams publishes an LRV of about 30.4 for Evergreen Fog.
Evergreen Forest
Dunn-Edwards DET534
RGB 14, 105, 95
Dunn-Edwards publishes an LRV of about 11 for Evergreen Forest.
Evergreen Trail
Behr BXC-72
RGB 111, 117, 104
Behr marks Evergreen Trail as archived. Behr publishes an LRV of about 17 for Evergreen Trail.
Evergreens
Sherwin-Williams SW 6447
RGB 64, 88, 64
Sherwin-Williams reports an LRV of about 8.5 for Evergreens.
Everlasting
Benjamin Moore 1038
RGB 220, 204, 179
Benjamin Moore publishes an LRV of about 60.7 for Everlasting.
Evermore
Resene O63-104-056
RGB 190, 106, 63
Resene reports an LRV of about 32.0 for Evermore.
Everyday White
Sherwin-Williams SW 6077
RGB 228, 220, 212
Sherwin-Williams reports an LRV of about 72.4 for Everyday White.
Everything's Rosy
Behr T17-06
RGB 216, 172, 160
Behr reports an LRV of about 46.0 for Everything's Rosy. Behr marks Everything's Rosy as archived.
Evolution
Resene G52-018-096
RGB 103, 100, 85
Resene reports an LRV of about 20.0 for Evolution.
Ewing Blue
Benjamin Moore CW-585
RGB 208, 226, 224
Benjamin Moore reports an LRV of about 73.4 for Ewing Blue.
Exactly
Resene G41-009-181
RGB 90, 98, 96
Resene suggests Four Winds and Ted as companion colors.
Excalibur
Pantone 18-3905 TCX
RGB 103, 97, 104
Excalibur, King Arthur's sword, appears about 1140 as Caliburnus in Geoffrey of Monmouth and about 1300 as the Old French Escalibor. Etymonline says the Latin apparently comes from the Welsh Caledvwlch, probably a variant of Caladbolg, a legendary Irish sword whose name might mean hard belly, that is, voracious.
Excalibur
Resene B58-023-255
RGB 124, 140, 155
Resene suggests Double Alabaster and Eighth Stonewashed as companion colors.
Excalibur Gray
Benjamin Moore 2118-50
RGB 169, 171, 182
Benjamin Moore publishes an LRV of about 41 for Excalibur Gray.
Exciting Orange
Sherwin-Williams SW 6647
RGB 240, 176, 122
Sherwin-Williams reports an LRV of about 51.2 for Exciting Orange. Sherwin-Williams marks Exciting Orange as archived.
Exclusive Ivory
Behr HDC-MD-11
RGB 238, 230, 216
Behr publishes an LRV of about 80 for Exclusive Ivory.
Exclusive Ivory
Dunn-Edwards DE6191
RGB 226, 216, 195
Dunn-Edwards publishes an LRV of about 64 for Exclusive Ivory.
Exclusive Plum
Sherwin-Williams SW 6263
RGB 115, 111, 120
Sherwin-Williams reports an LRV of about 16.4 for Exclusive Plum.
Exclusive Violet
Behr HDC-SP14-12
RGB 185, 173, 187
Behr reports an LRV of about 44.0 for Exclusive Violet. Behr marks Exclusive Violet as archived.
Exhale
Benjamin Moore AF-515
RGB 159, 184, 193
Benjamin Moore publishes an LRV of about 46.3 for Exhale.
Exotic Bloom
Benjamin Moore 551
RGB 149, 200, 132
Benjamin Moore reports an LRV of about 47.3 for Exotic Bloom.
Exotic Bloom
Behr 680B-6
RGB 172, 98, 146
Behr marks Exotic Bloom as archived. Behr publishes an LRV of about 20 for Exotic Bloom.
Exotic Blossom
Behr P240-6
RGB 253, 157, 67
Behr publishes an LRV of about 45 for Exotic Blossom.
Exotic Eggplant
Behr S110-7
RGB 112, 86, 96
Behr publishes an LRV of about 11 for Exotic Eggplant.
Exotic Evening
Dunn-Edwards DE5951
RGB 88, 81, 110
Dunn-Edwards publishes an LRV of about 9 for Exotic Evening.
Exotic Flowers
Behr S-H-100
RGB 131, 63, 81
Behr marks Exotic Flowers as archived. Behr publishes an LRV of about 9 for Exotic Flowers.
Exotic Fuchsia
Benjamin Moore 2074-50
RGB 220, 172, 211
Benjamin Moore publishes an LRV of about 50 for Exotic Fuchsia.
Exotic Honey
Behr S-H-290
RGB 196, 127, 51
Behr marks Exotic Honey as archived. Behr publishes an LRV of about 27 for Exotic Honey.
Exotic Lilac
Dunn-Edwards DE5017
RGB 209, 152, 181
Dunn-Edwards publishes an LRV of about 36 for Exotic Lilac.
Exotic Lime
Benjamin Moore 399
RGB 202, 202, 53
Benjamin Moore publishes an LRV of about 52.2 for Exotic Lime.
Exotic Orange
Pantone 16-1453 TCX
RGB 249, 101, 49
Exotic Orchid
Behr PMD-87
RGB 117, 86, 108
Behr marks Exotic Orchid as archived. Behr publishes an LRV of about 12 for Exotic Orchid.
Exotic Palm
Behr HDC-SP14-2
RGB 144, 153, 105
Behr marks Exotic Palm as archived. Behr publishes an LRV of about 30 for Exotic Palm.
Exotic Pink
Benjamin Moore 2003-60
RGB 254, 205, 214
Benjamin Moore reports an LRV of about 66.3 for Exotic Pink.
Exotic Purple
Benjamin Moore 2071-10
RGB 67, 51, 77
Benjamin Moore publishes an LRV of about 5.5 for Exotic Purple.
Exotic Purple
Behr 660B-7
RGB 106, 80, 120
Behr reports an LRV of about 10.0 for Exotic Purple.
Exotic Red
Benjamin Moore 2086-10
RGB 179, 39, 53
Benjamin Moore publishes an LRV of about 11.9 for Exotic Red.
Exotic Violet
Dunn-Edwards DE5003
RGB 225, 160, 207
Dunn-Edwards publishes an LRV of about 42 for Exotic Violet.
Expedition
Resene N42-002-237
RGB 98, 99, 100
Expedition Khaki
Behr 340F-4
RGB 219, 191, 144
Behr publishes an LRV of about 54 for Expedition Khaki.
Explorer
Resene B43-024-232
RGB 55, 78, 89
Resene suggests Gecko and Cut Glass as companion colors.
Explorer Blue
Behr M470-5
RGB 87, 163, 179
Behr publishes an LRV of about 31 for Explorer Blue.
Explorer Khaki
Behr N330-4
RGB 182, 172, 149
Behr publishes an LRV of about 42 for Explorer Khaki.
Exploring Khaki
Behr PPU8-06
RGB 170, 154, 121
Behr reports an LRV of about 33.0 for Exploring Khaki. Behr marks Exploring Khaki as archived.
Exponent
Resene M67-011-257
RGB 136, 143, 152
Resene reports an LRV of about 36.0 for Exponent.
Express Blue
Behr M500-6
RGB 57, 90, 115
Behr publishes an LRV of about 9 for Express Blue.
Expressionism
Behr MQ5-49
RGB 57, 73, 123
Behr reports an LRV of about 7.0 for Expressionism. Behr marks Expressionism as archived.
Expressive Plum
Sherwin-Williams SW 6271
RGB 105, 92, 98
Sherwin-Williams reports an LRV of about 11.5 for Expressive Plum.
Exquisite Emerald
Behr P420-6
RGB 51, 136, 96
Behr reports an LRV of about 19.0 for Exquisite Emerald.
Extra White
Sherwin-Williams SW 7006
RGB 238, 239, 234
Sherwin-Williams reports an LRV of about 85.9 for Extra White.
Extraterrestrial
Resene M40-007-072
RGB 97, 92, 89
Resene suggests Helix and Scoria as companion colors.
Extravagance
Behr MQ5-01
RGB 78, 72, 80
Behr reports an LRV of about 7.0 for Extravagance. Behr marks Extravagance as archived.
Extreme
Behr S530-6
RGB 83, 96, 120
Behr reports an LRV of about 12.0 for Extreme.
Extreme Yellow
Behr P260-7
RGB 255, 183, 41
Behr publishes an LRV of about 58 for Extreme Yellow.
Extrovert
Resene R41-070-003
RGB 117, 38, 66
Resene suggests Alluring and Allegro as companion colors.
Exuberance
Pantone 17-1349 TCX
RGB 232, 104, 0
Exuberant Orange
Dunn-Edwards DEA112
RGB 240, 98, 47
Dunn-Edwards publishes an LRV of about 26 for Exuberant Orange.
Exuberant Pink
Sherwin-Williams SW 6840
RGB 181, 77, 127
Eye Candy
Resene V42-081-321
RGB 123, 80, 131
Resene suggests Mozart and Elderflower as companion colors.
Eye Catching
Sherwin-Williams SW 6914
RGB 221, 184, 53
Sherwin-Williams reports an LRV of about 50.1 for Eye Catching.
Eye of the Tiger
Benjamin Moore 188
RGB 227, 178, 111
Benjamin Moore publishes an LRV of about 46.9 for Eye of the Tiger.
For other A-to-Z lists, see the List of Phobias, the List of Manias, the List of Hobbies, the List of Branches of Science, the List of Collective Nouns, the List of Mottoes, the List of Slogans and the List of Aircraft Registration Prefixes.
No CSS web color name starts with E. Well-known ones include the xkcd survey colors Emerald, Electric Blue and Eggplant, school colors such as Emory Blue, and paint colors such as Benjamin Moore Edgecomb Gray and Sherwin-Williams Evergreen Fog. This page lists 599 colors starting with E, each with its RGB value, hex code and shade.
70 names starting with E belong to more than one maker, and each maker gives the name its own color. Each version has its own plate, with the maker named under it.
Yes. Click or tap any hex code on a plate to copy it, ready to paste into a design or web page.
Not exactly. A screen value is the paint maker's best match for a screen; paint looks different under daylight, lamps and in the sample size, so check a real sample before you buy.
Explore all general-knowledge topics and the A-to-Z lists.
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