Shades of Orange

Dunn-Edwards publishes an LRV of about 81 for Crushed Cashew.

Dunn-Edwards reports an LRV of about 80.0 for Delightful Peach.

Dunn-Edwards publishes an LRV of about 77 for Macaroon Cream.

Dunn-Edwards publishes an LRV of about 77 for Mood Lighting.

Sherwin-Williams lists Melon Tint only on its older chart; its current value is unpublished.

Dunn-Edwards pairs Candle Glow with Trite White DE6204 for trim and Desert Suede DE6206 as an accent on its color page.

Benjamin Moore reports an LRV of about 79.6 for Gerbera Daisy.

Behr reports an LRV of about 83 for Naive Peach.

Behr publishes an LRV of about 83 for Kansas Grain.

Benjamin Moore reports an LRV of about 79.2 for Georgia on My Mind.

As a color, bisque recalls unglazed white porcelain, a sense English took up in the 1660s. The word is an alteration of biscuit, from the Latin for twice baked. In CSS it is written bisque.

Behr marks Fall Straw as archived. Behr publishes an LRV of about 80 for Fall Straw.

Behr publishes an LRV of about 80 for Melted Marshmallow.

Resene reports an LRV of about 84.0 for Derby.

Dunn-Edwards pairs Autumn Bloom with Pale Nectar DE5154 for trim and Gallery Gray DE6072 as an accent on its color page.

Benjamin Moore reports an LRV of about 76.0 for Florida Seashells.

Behr marks Orange Ice as archived. Behr publishes an LRV of about 77 for Orange Ice.

Benjamin Moore publishes an LRV of about 74.9 for Delicate Peach.

Dunn-Edwards publishes an LRV of about 72 for Glazed Sugar.

Behr marks Muffin Mix as archived. Behr publishes an LRV of about 77 for Muffin Mix.

The manufacturer lists a light reflectance value of 71 for Almondine; LRV is a paint property and is separate from screen RGB brightness.

Benjamin Moore publishes an LRV of about 74.4 for Nautilus Shell.

Benjamin Moore reports an LRV of about 74.4 for Melon Ice.

Benjamin Moore reports an LRV of about 73.0 for Daytona Peach.

Behr marks Mystic Opal as archived. Behr publishes an LRV of about 76 for Mystic Opal.

Behr reports an LRV of about 76.0 for Feather Plume. Behr marks Feather Plume as archived.

Behr reports an LRV of about 75.0 for Faint Peach. Behr marks Faint Peach as archived.

Sherwin-Williams reports an LRV of about 75.1 for Nearly Peach.

Sherwin-Williams reports an LRV of about 75.1 for Hinoki.

Sherwin-Williams publishes an LRV of about 75 for Honeypot.

Behr marks Heavenly Song as archived.

Behr marks Friendship as archived. Behr publishes an LRV of about 74 for Friendship.

Behr publishes an LRV of about 74 for Fire Mist.

Juno, the Roman goddess of marriage and wife of Jupiter, appears in English in the mid 14th century, and her name probably means the young one, from a Proto Italic word related to Latin iunior (younger) and English young. The month June probably takes its name from her, through Latin Iunius, a likely contraction of Iunonius (sacred to Juno). Junoesque, for a woman of stately, mature beauty, dates from 1861. Benjamin Moore publishes an LRV of about 70.8 for Juno Peach.

PPG reports an LRV of about 73 for Nosegay.

Benjamin Moore publishes an LRV of about 70.7 for Melon Popsicle.

Dunn-Edwards publishes an LRV of about 68 for Natural Tan.

Behr publishes an LRV of about 73 for Frosted Toffee.

Benjamin Moore publishes an LRV of about 71 for Heirloom.

Dunn-Edwards publishes an LRV of about 71 for Fresh Apricot.

PPG describes Canyon Peach as a pale, muted, carrot orange with a peach undertone. PPG publishes an LRV of about 72 for Canyon Peach.

Frangipani has been used in English since the 1670s for a West Indian shrub whose blossoms recalled frangipane, a perfume. The perfume name is said to come from an Italian inventor surnamed Frangipani, while an older account ties the name to a noble Roman family said to have handed out bread during a famine. Resene suggests Water Leaf and Portafino as companion colors.

Dunn-Edwards publishes an LRV of about 67 for Fresh Baked Bread.

Benjamin Moore publishes an LRV of about 70.5 for Love Story.

Behr publishes an LRV of about 73 for Golden Pastel.

Dunn-Edwards publishes an LRV of about 67 for Nevada Morning.

Benjamin Moore publishes an LRV of about 69.1 for Funky Fruit.

Resene describes its Caramel as an orange-yellow combination, distinguishing it from deeper brown references with the same name.

Behr reports an LRV of about 70 for Hug Goodbye.

Behr reports an LRV of about 71 for Luminary.

Behr publishes an LRV of about 72 for Mango Nectar.

Behr publishes an LRV of about 70 for Fahrenheit.

Dunn-Edwards publishes an LRV of about 66 for Opalescent Coral.

Behr reports an LRV of about 70 for Miami Stucco.

Sherwin-Williams reports an LRV of about 70.7 for Enjoyable Yellow.

The manufacturer pairs Dreams of Peach with Desert Star DEW314 for trim and Ashwood DE6290 as an accent, providing a practical palette starting point.

Sherwin-Williams reports an LRV of about 70.1 for Frangipane. Sherwin-Williams marks Frangipane as archived.

Benjamin Moore publishes an LRV of about 66.3 for Orange Sherbet.

Benjamin Moore publishes an LRV of about 67.2 for Golden Beige.

Dunn-Edwards publishes an LRV of about 69 for Hollywood Golden Age.

Benjamin Moore reports an LRV of about 68.4 for Handmade.

Benjamin Moore publishes an LRV of about 67 for Jumel Peachtone.

Sherwin-Williams reports an LRV of about 69.3 for Naive Peach.

Behr publishes an LRV of about 69 for Ice Cream Parlour.

Benjamin Moore publishes an LRV of about 66 for Daylily.

Sherwin-Williams reports an LRV of about 69.5 for Flan.

Behr marks Honey Bird as archived. Behr reports an LRV of about 70 for Honey Bird.

Nude is first recorded in the 1530s as a legal term meaning unsupported or not formally attested, from Latin nudus (naked, bare). It broadened to mean simple or mere in the 1550s. As an art word for naked it goes back to the 1610s, but it became common only in the middle of the 1800s.

Resene suggests Alto and Link Water as companion colors.

Dunn-Edwards publishes an LRV of about 64 for Fine Sand.

Sherwin-Williams reports an LRV of about 69.3 for Flattering Peach.

Glidden describes Kiva Glow as a soft, muted, sun soaked yellow with a dandelion undertone. Glidden publishes an LRV of about 67 for Kiva Glow.

Glidden reports an LRV of about 67 for Just Peachy.

Benjamin Moore publishes an LRV of about 66.2 for Forever Young.

Behr marks Honey Butter as archived.

Benjamin Moore reports an LRV of about 64.4 for Honey Burst.

Behr publishes an LRV of about 68 for Equatorial.

Dunn-Edwards pairs Allspice with Milk Mustache DE6169 for trim and Bungalow Taupe DE6172 as an accent on its color page.

Benjamin Moore publishes an LRV of about 64.1 for Kitsilano Beach.

Behr describes Ceramic Beige as a filtered golden beige conveying a feeling that is both comforting and classic. Behr publishes an LRV of about 66 for Ceramic Beige.

Sherwin-Williams reports an LRV of about 66.6 for Honey Blush.

Benjamin Moore reports an LRV of about 63.8 for Melon Cup.

Dunn-Edwards publishes an LRV of about 61 for Granola.

Dulux Australia reports an LRV of about 69 for Kimono.

Dunn-Edwards pairs Antique Coral with Pink Glow DE5168 for trim and Birchwood DEC752 as an accent on its color page.

Benjamin Moore reports an LRV of about 63.3 for Glowing Apricot.

Caen stone is a limestone with a fine, even grain, quarried in and around Caen in Normandy. After the Norman Conquest it went into English castles, churches and monasteries, including the Tower of London and Westminster. It has been the main building stone of Canterbury Cathedral since the rebuilding begun in 1070 under Archbishop Lanfranc. Sherwin-Williams publishes an LRV of about 66.4 for Caen Stone.

Behr marks Fresco Cream as archived. Behr publishes an LRV of about 65 for Fresco Cream.

Behr marks Bagel as archived. Behr publishes an LRV of about 66 for Bagel.

Behr describes Buff Tone as a pale, subtle beige with a hint of apricot for warm and welcoming appeal. Behr publishes an LRV of about 66 for Buff Tone.

Benjamin Moore publishes an LRV of about 63.2 for Orange Creamsicle.

Sherwin-Williams places Aristocrat Peach in its Historic Color collection and publishes an LRV of about 65.3.

Behr reports an LRV of about 65 for Malibu Coast.

Behr describes Chai as a light golden delight that calls to mind a warm, spice infused tea latte. Behr publishes an LRV of about 65 for Chai.

Behr publishes an LRV of about 64 for Gumdrops.

Sherwin-Williams publishes an LRV of about 64.9 for Belvedere Cream.

Behr publishes an LRV of about 64 for Fruit Salad.

Benjamin Moore publishes an LRV of about 61.4 for Florida Orange.

Glidden describes Orange Sherbet as a midtone, pure, candy corn orange with a golden sunshine undertone. Glidden publishes an LRV of about 65 for Orange Sherbet.

Behr publishes an LRV of about 65 for Harmonious Gold.

Flax goes back to the Old English fleax, which named both the plant and the linen cloth made from it, with relatives such as the German Flachs. Etymonline traces it to a Germanic base meaning to plait, though some scholars instead link it to a root meaning to flay, from the stripping of the fibers.

Benjamin Moore reports an LRV of about 62.6 for Harvest Time.

Behr publishes an LRV of about 65 for Mango Tango.

Resene describes Chardonnay using an orange comparison. A wine-inspired name does not guarantee a pale yellow swatch.

Benjamin Moore publishes an LRV of about 61.7 for Desert View.

Benjamin Moore publishes an LRV of about 61.7 for Hathaway Peach.

Behr marks Orange Sherbet as archived. Behr publishes an LRV of about 63 for Orange Sherbet.

Behr describes Everblooming as a slightly dusty tea rose pink, reminiscent of a late blooming tulip. Behr publishes an LRV of about 63 for Everblooming.

Behr publishes an LRV of about 63 for Dainty Apricot.

Its published paint LRV is about 63.7.

Behr reports an LRV of about 63 for Lunch Box.

Behr publishes an LRV of about 63 for Cactus Blooms.

Sherwin-Williams reports an LRV of about 63.0 for Delicious Melon.

Crayola groups Desert Sand under Brown on its Explore Colors page.

Behr reports an LRV of about 62 for Liquid Gold.

Sherwin-Williams publishes an LRV of about 62.3 for Avid Apricot.

The Bellini cocktail of white peach puree and Prosecco was created by Giuseppe Cipriani at Harry's Bar in Venice in 1948. He named it for the 15th century Venetian painter Giovanni Bellini. Sherwin-Williams publishes an LRV of about 62 for Bellini Fizz.

Benjamin Moore publishes an LRV of about 59.4 for Fresh Fruit.

Behr publishes an LRV of about 62 for Filtered Moon.

Dunn-Edwards pairs Apricot Appeal with Whisper DEW340 for trim and Desert Rock DE6066 as an accent on its color page.

Dunn-Edwards describes Brilliant Beige as a muted, soft beige hue. Dunn-Edwards publishes an LRV of about 57 for Brilliant Beige.

Resene places Chamois in creamy, biscuit-brown territory, emphasizing its warm neutral character.

Behr publishes an LRV of about 62 for Jackfruit.

Dunn-Edwards pairs Arts & Crafts Gold with White Picket Fence DET648 for trim and Hollywood Golden Age DET667 as an accent on its color page.

Benjamin Moore reports an LRV of about 60.2 for Home Sweet Home.

Behr describes Honey Locust as a vibrant yellow touched with a hint of sunshine that brightens any room. Behr publishes an LRV of about 62 for Honey Locust.

Sherwin-Williams reports an LRV of about 61.3 for Humble Gold.

Sherwin-Williams publishes an LRV of about 61.0 for Compatible Cream.

Dulux Australia reports an LRV of about 64 for Manila.

Sherwin-Williams reports an LRV of about 59.8 for Neighborly Peach.

PPG describes Champagne Wishes as a soft, subdued, veiled orange with a red undertone. PPG publishes an LRV of about 60 for Champagne Wishes.

Sherwin-Williams publishes an LRV of about 60.4 for August Moon.

Behr describes Flamingo Feather as a light and airy peach that echoes the dazzling color of the tropical birds. Behr publishes an LRV of about 60 for Flamingo Feather.

Behr reports an LRV of about 60.0 for Garbanzo Paste. Behr marks Garbanzo Paste as archived.

Dunn-Edwards publishes an LRV of about 56 for Just Peachy.

Benjamin Moore publishes an LRV of about 57.3 for Del Ray Peach.

Behr marks Heirloom Apricot as archived. Behr reports an LRV of about 59 for Heirloom Apricot.

Benjamin Moore publishes an LRV of about 56.6 for Fresh Peach.

Resene suggests Fuscous Grey and Glistening White as companion colors.

Sherwin-Williams reports an LRV of about 58.8 for Harvester.

Dunn-Edwards publishes an LRV of about 56 for California Peach.

Buff first meant leather made from buffalo hide, in the 1570s, and the color name comes from the light brownish yellow of that leather. Volunteer firefighters in New York City wore buff uniforms from the 1820s, which gave buff its later meaning of enthusiast.

Sherwin-Williams publishes an LRV of about 58.1 for Certain Peach.

PPG describes Hayloft as a midtone, muted, sunny citrus yellow with a mustard yellow undertone. PPG publishes an LRV of about 57 for Hayloft.

Benjamin Moore publishes an LRV of about 56 for Marmalade.

The dealer gives #F7BF68; another public lookup gives #F7B768.

Macaroni came into English in the 1590s from southern Italian dialect maccaroni, Italian maccheroni, for a dish of flour, cheese and butter. It may come from maccare (to bruise, crush), a verb of unknown origin, or instead from late Greek makaria (food made from barley). By 1769 a macaroni was also a dandy who copied continental fashions, the sense heard in Yankee Doodle.

Glidden reports an LRV of about 55 for Juicy Cantaloupe.

Benjamin Moore reports an LRV of about 54.7 for Honeybell.

Dunn-Edwards publishes an LRV of about 54 for Madrid Beige.

Dunn-Edwards pairs Amber Dawn with Day Lily DEW317 for trim and Dry Creek DE6122 as an accent on its color page.

Behr marks Honey Bear as archived. Behr publishes an LRV of about 57 for Honey Bear.

Behr publishes an LRV of about 56 for Lollipop.

PPG describes Halo as a midtone, muted, sunny citrus yellow with a mustard yellow undertone. PPG publishes an LRV of about 56 for Halo.

Behr describes Melon Sorbet as a soft cantaloupe color for quiet and reflective spaces. Behr publishes an LRV of about 56 for Melon Sorbet.

Dunn-Edwards reports an LRV of about 56.0 for Dreamsicle.

Behr reports an LRV of about 56.0 for Fresh Peaches. Behr marks Fresh Peaches as archived.

Behr marks Desert Sunrise as archived. Behr publishes an LRV of about 56 for Desert Sunrise.

Sherwin-Williams reports an LRV of about 56.5 for Hubbard Squash.

Sherwin-Williams publishes an LRV of about 56.6 for Bee's Wax.

Behr reports an LRV of about 57.0 for Glorious Gold. Behr marks Glorious Gold as archived.

Dulux Australia reports an LRV of about 59 for Melon Balls.

Sherwin-Williams reports an LRV of about 55.3 for Melón Meloso.

Dunn-Edwards reports an LRV of about 52.0 for Deserted Path.

Benjamin Moore publishes an LRV of about 53 for Orange Ice.

Behr publishes an LRV of about 54 for Fuzzy Peach.

Behr reports an LRV of about 55.0 for Gold Buff. Behr marks Gold Buff as archived.

Dunn-Edwards publishes an LRV of about 51 for Market Melon.

Dunn-Edwards reports an LRV of about 51.0 for Discreet Orange.

Behr reports an LRV of about 55.0 for Early Harvest. Behr marks Early Harvest as archived.

Sherwin-Williams reports an LRV of about 54.4 for Gold Vessel.

Behr marks Orange Grove as archived. Behr publishes an LRV of about 53 for Orange Grove.

Glidden describes Orange Cantaloupe as a saturated, pure, tangerine orange with a sherbet undertone. Glidden publishes an LRV of about 54 for Orange Cantaloupe.

Behr marks Kernel as archived. Behr publishes an LRV of about 54 for Kernel.

Benjamin Moore publishes an LRV of about 51.7 for Citrus Blast.

Benjamin Moore publishes an LRV of about 54 for Crossroads.

Behr describes Honey Nougat as a creamy warm gold, beautiful for interiors and easily combining with other colors. Behr publishes an LRV of about 54 for Honey Nougat.

Benjamin Moore publishes an LRV of about 51.6 for Golden Mist.

PPG describes Cinnamon Ice as a midtone, subdued, tree bark orange with a cocoa brown undertone. PPG publishes an LRV of about 53 for Cinnamon Ice.

Sherwin-Williams publishes an LRV of about 53.5 for Classical Gold.

Chamois first named an Alpine antelope in the 1550s, from French, perhaps from a Late Latin word that may come from an Alpine language older than Latin. By the 1570s it also meant soft leather, originally the skin of the chamois, and English speakers sometimes spelled it shammy.

Dunn-Edwards publishes an LRV of about 52 for Orange Marmalade.

Resene reports an LRV of about 60.0 for Goddess.

Behr reports an LRV of about 53.0 for Eastern Amber. Behr marks Eastern Amber as archived.

Behr publishes an LRV of about 53 for Honey Tea.

Dunn-Edwards publishes an LRV of about 48 for October Haze.

Resene reports an LRV of about 57 for Harvest Gold.

Benjamin Moore reports an LRV of about 49.8 for Intense Peach.

PPG describes Orange Marmalade as a saturated, pure, tangerine orange with a sherbet undertone. PPG publishes an LRV of about 49 for Orange Marmalade.

PPG reports an LRV of about 52 for Hummus.

Behr marks Melted Ice Cream as archived. Behr publishes an LRV of about 52 for Melted Ice Cream.

Marigold, first recorded in the late 14th century as marygolde, names several plants with golden or bright yellow flowers. It is possibly Mary, most likely the Virgin Mary, plus gold for the flower's color, and Old English called the flower simply golde. The color name dates to about 1770.

Sherwin-Williams reports an LRV of about 51.2 for Exciting Orange. Sherwin-Williams marks Exciting Orange as archived.

Dunn-Edwards pairs Beeswax with Ball of String DE6190 for trim and Nomadic Taupe DE6192 as an accent on its color page.

Resene suggests Meteor and Golden Glow as companion colors for Casablanca, providing a starting point for a coordinated palette.

Benjamin Moore publishes an LRV of about 49 for Hugs & Kisses.

Benjamin Moore publishes an LRV of about 50.6 for Honeymoon.

Benjamin Moore reports an LRV of about 47.7 for Golden Archway.

Benjamin Moore reports an LRV of about 47.0 for Mango Punch.

Dunn-Edwards publishes an LRV of about 48 for Flash of Orange.

Behr reports an LRV of about 49 for Marmalade.

PPG describes Honey Bunny as a soft, subdued, sepia yellow with an umber undertone. PPG publishes an LRV of about 50 for Honey Bunny.

Kumquat, also spelled cumquat, is recorded from the 1690s and comes from Cantonese kamkwat, from kam (golden) and kwat (orange). The Oxford English Dictionary, as Etymonline notes, describes the word as a Cantonese dialect form of the Chinese kin ku.

Behr describes Florida Sunrise as a mellow creamy orange, like daybreak on a sultry morning. Behr publishes an LRV of about 50 for Florida Sunrise.

Behr marks Goldenrod Field as archived. Behr publishes an LRV of about 50 for Goldenrod Field.

Dunn-Edwards pairs Blazing Autumn with Igloo DEW379 for trim and Muslin DE6227 as an accent on its color page.

Behr reports an LRV of about 49 for Melon.

Sherwin-Williams reports an LRV of about 50.1 for Goldenrod.

Behr marks High Plateau as archived. Behr reports an LRV of about 50 for High Plateau.

PPG reports an LRV of about 48 for Hush Puppy.

Sherwin-Williams reports an LRV of about 49.7 for Gusto Gold.

Historical gamboge is a yellow orange colorant made from a tree gum resin.

Behr publishes an LRV of about 50 for Cellini Gold.

Resene reports an LRV of about 56 for Hit Pink.

Benjamin Moore publishes an LRV of about 46.1 for Mandarin Orange.

Behr marks Instant Delight as archived. Behr reports an LRV of about 51 for Instant Delight.

Benjamin Moore publishes an LRV of about 46.9 for Eye of the Tiger.

The word traces to the Arabic anbar, which first meant ambergris, the perfume ingredient from sperm whales, before it came to mean fossil resin. Amber is recorded as a color name in English from 1735. Oxford illustrates the color sense with the example "The traffic lights were on amber." Amber, the material, is fossilized tree resin and can preserve plant or animal remains. The commercial color is a named interpretation, not a mineral composition.

Orange named the fruit in English by the late 14th century, from Old French orenge, a word traced through Italian, Arabic naranj and Persian narang to Sanskrit naranga (orange tree), though its ultimate origin is uncertain. The first n was probably lost through confusion with the article, as in Old French une narange, and French or (gold) may also have shaped the form. English used orange as a color word only from the 1510s, and before that such shades were usually called citrine or saffron.

Dunn-Edwards publishes an LRV of about 47 for Nectarine.

Dunn-Edwards pairs Antique Brass with Sparkling Cider DEW321 for trim and Hazelwood DE5281 as an accent on its color page.

Benjamin Moore publishes an LRV of about 46.2 for Dusk Pink.

PPG describes Orange Liqueur as a midtone, bright, tangerine orange with a sherbet undertone. PPG publishes an LRV of about 47 for Orange Liqueur.

Dunn-Edwards pairs Aloha Sunset with Tea Biscuit DE6120 for trim and Dry Creek DE6122 as an accent on its color page.

Behr reports an LRV of about 49 for Mac N Cheese.

Behr publishes an LRV of about 48 for Coral Cloud.

Behr marks Orange Spice as archived. Behr publishes an LRV of about 47 for Orange Spice.

Dunn-Edwards publishes an LRV of about 45 for Lion's Mane.

Behr describes Lamplit as a warm gold providing a touch of vibrant, playful energy. Behr publishes an LRV of about 48 for Lamplit.

Dunn-Edwards publishes an LRV of about 45 for Bittersweet.

Behr marks Hawaiian Passion as archived. Behr reports an LRV of about 47 for Hawaiian Passion.

Behr publishes an LRV of about 47 for California Coral.

Dunn-Edwards publishes an LRV of about 46 for Fresh Cantaloupe.

Benjamin Moore publishes an LRV of about 43.9 for Orange Appeal.

Benjamin Moore publishes an LRV of about 44.2 for Orange Sky.

Behr marks Orange Peel as archived. Behr publishes an LRV of about 47 for Orange Peel.

Benjamin Moore publishes an LRV of about 45.6 for Myrtle Beach.

Resene also sells this color as Lightning Yellow, with the same code and value.

Goldfish, simply gold plus fish, is recorded in English from the 1690s. Etymonline notes that the fish are native to China and were brought into England from there. Behr marks Goldfish as archived. Behr publishes an LRV of about 45 for Goldfish.

Behr publishes an LRV of about 45 for Exotic Blossom.

Dunn-Edwards publishes an LRV of about 44 for O'Brien Orange.

Dunn-Edwards pairs Acorn Squash with Frosting Cream DEW344 for trim and Dry Creek DE6122 as an accent on its color page.

Resene suggests Blank Canvas and Dutch White as companion colors.

Sherwin-Williams reports an LRV of about 46.2 for Golden Gate.

Sherwin-Williams publishes an LRV of about 45.8 for Anjou Pear.

PPG describes Orange Clay as a midtone, bright, carrot orange with a peach undertone. PPG publishes an LRV of about 43 for Orange Clay.

Benjamin Moore sells Natural only in its Woodluxe stains.

Benjamin Moore reports an LRV of about 42.4 for Fruity Cocktail.

Dulux Australia reports an LRV of about 49 for Indulgent Yellow.

Benjamin Moore publishes an LRV of about 43.7 for Hathaway Gold.

Sherwin-Williams reports an LRV of about 44.8 for Osage Orange.

PPG describes Cheddar Biscuit as a saturated, muted, candy corn orange with a golden sunshine undertone. PPG publishes an LRV of about 44 for Cheddar Biscuit.

Benjamin Moore publishes an LRV of about 42.8 for Old Gold.

Dunn-Edwards publishes an LRV of about 41 for Orange Jewel.

Sherwin-Williams lists Laughing Orange only on its older chart; its current value is unpublished.

Behr reports an LRV of about 45.0 for Eastern Spice. Behr marks Eastern Spice as archived.

Behr reports an LRV of about 44.0 for Florida Mango. Behr marks Florida Mango as archived.

Behr marks Indian Paint Brush as archived. Behr publishes an LRV of about 43 for Indian Paint Brush.

Resene suggests Hot N Spicy and Hendrix as companion colors for April Sun, giving a starting point for a coordinated palette.

Benjamin Moore publishes an LRV of about 43.5 for Coral Spice.

Dunn-Edwards publishes an LRV of about 42 for Energy Orange.

Dunn-Edwards publishes an LRV of about 42 for Cliff Brown.

Behr reports an LRV of about 44.0 for Flower Field. Behr marks Flower Field as archived.

Behr reports an LRV of about 43.0 for Gilded Leaves. Behr marks Gilded Leaves as archived.

Benjamin Moore publishes an LRV of about 42.4 for Coral Glow.

Sherwin-Williams lists Kumquat only on its older chart; its current value is unpublished.

PPG describes Clay Fire as a midtone, muted, carrot orange with a peach undertone. PPG publishes an LRV of about 42 for Clay Fire.

Behr reports an LRV of about 44.0 for Fresh Nectar. Behr marks Fresh Nectar as archived.

Sherwin-Williams reports an LRV of about 42.4 for Inventive Orange.

Behr marks Indian Dance as archived.

Resene suggests Double Bianca and Bowie as companion colors.

Sherwin-Williams publishes an LRV of about 42.5 for Adventure Orange.

Benjamin Moore reports an LRV of about 39.2 for New Dawn.

Behr publishes an LRV of about 41 for Joyful Orange.

Resene suggests Permanent Green and On Track as companion colors.

Benjamin Moore publishes an LRV of about 40.2 for Golden Vista.

Dunn-Edwards publishes an LRV of about 39 for Instant Orange.

Dulux Australia reports an LRV of about 46 for Inca Gold.

Dunn-Edwards publishes an LRV of about 39 for Fortune Cookie.

In CSS it is written darksalmon.

Orange was the only color keyword added in CSS Level 2, joining the 16 basic colors of CSS Level 1. Darkorange came in with the larger set of extended keywords that browsers adapted from the X11 color names, later standardized in SVG 1 and CSS Color Level 3, according to MDN. In CSS it is written darkorange.

Melon came into English in the late 14th century as meloun, from Old French melon and Medieval Latin melonem, from Latin melopeponem, a kind of pumpkin. The Greek source melopepon means gourd apple, joining melon (apple) and pepon, a gourd, probably from an adjective meaning ripe. Greek used melon broadly for foreign fruits, much as English has used apple for fruit in general.

Behr reports an LRV of about 40 for Mango Madness.

Sherwin-Williams reports an LRV of about 41.0 for Harvest Gold.

Cadmium yellow traditionally refers to cadmium-sulfide-based pigments with a yellow-to-orange range. The Pantone name and dealer screen value do not establish that a textile contains cadmium pigment.

Nectarine, a peach with smooth skin and firmer flesh, is recorded as a noun from the 1660s and was first spelled nectrine. It grew from an earlier adjective meaning of or like nectar (1610s). The name was probably inspired by German nektarpfirsich (nectar peach).

Benjamin Moore reports an LRV of about 38.5 for Grand Canyon.

Sherwin-Williams reports an LRV of about 40.0 for Forceful Orange. Sherwin-Williams marks Forceful Orange as archived.

Sherwin-Williams reports an LRV of about 40.3 for Fame Orange.

Dunn-Edwards publishes an LRV of about 37 for La Terra.