Shades of Yellow

Dunn-Edwards pairs Candlelight with Warm White DEW380 for trim and Fresh Honeydew DE5477 as an accent on its color page.

Dunn-Edwards describes Buttermilk as a light, bright pastel yellow. Dunn-Edwards publishes an LRV of about 91 for Buttermilk.

The xkcd survey lists eggshell (#FFFFD4) and egg shell (#FFFCC4) as two separate colors.

Dunn-Edwards publishes an LRV of about 89 for Hint of Spring.

Dunn-Edwards pairs Clear Day with Whisper DEW340 for trim and Hazy Moon DE5443 as an accent on its color page.

Cream came into English in the early 1300s from Old French, where the word also meant chrism, the holy oil. Etymonline calls it a blend of Late Latin chrisma, ointment, and cramum, cream, a word of uncertain origin, perhaps Gaulish. The compound cream colored, for a pale yellowish white, dates to 1707.

Dunn-Edwards publishes an LRV of about 90 for Golden Wash.

Dunn-Edwards pairs Clearview with Whisper DEW340 for trim and Silver Fern DE5492 as an accent on its color page.

Dunn-Edwards pairs Apple Martini with Wedding Dress DEW331 for trim and Dry Dune DE6114 as an accent on its color page.

Dunn-Edwards publishes an LRV of about 87 for Magnolia.

The xkcd survey lists egg shell (#FFFCC4) and eggshell (#FFFFD4) as two separate colors.

Dunn-Edwards pairs Bavarian Cream with Swiss Coffee DEW341 for trim and Gold Sand DE5429 as an accent on its color page.

Dunn-Edwards pairs Cotton Tail with Whisper DEW340 for trim and Durango Dust DE5380 as an accent on its color page.

Cornsilk is named for corn silk, the silky styles on an ear of corn, a term Merriam-Webster dates to 1846. Corn in this sense is the American word for maize, a meaning etymonline traces to about 1600. In CSS it is written cornsilk.

Dunn-Edwards publishes an LRV of about 87 for Iced Lemon.

Dunn-Edwards reports an LRV of about 87.0 for Daystar.

An earlier University of Oklahoma College of Arts and Sciences guide prints this screen value. The university now reserves Oklahoma Cream for print.

Dunn-Edwards publishes an LRV of about 86 for Focus on Light.

Dunn-Edwards publishes an LRV of about 86 for Lemon Sorbet.

Dunn-Edwards pairs Break of Day with Applemint DE5532 for trim and Pine Mist DE5534 as an accent on its color page.

Benjamin Moore publishes an LRV of about 87.8 for Crème Fraîche.

Dunn-Edwards pairs Alluring Light with Whisper DEW340 for trim and Midday Sun DE5289 as an accent on its color page.

Dunn-Edwards publishes an LRV of about 85 for Ivory Charm.

Dunn-Edwards publishes an LRV of about 85 for Diamond.

Dunn-Edwards publishes an LRV of about 87 for Lemon Slice.

Dunn-Edwards publishes an LRV of about 84 for Natural Wool.

Benjamin Moore publishes an LRV of about 87.6 for Crème Brûlée.

Eggshell, a compound of egg and shell, appears in the early 15th century and replaced an older word built on the Old English word for egg. It has been used as a color term since 1894, and from 1835 it also described anything thin and delicate. To tread on eggshells, meaning to proceed with great caution, is attested from 1734. In paint, eggshell also names a low sheen finish that Benjamin Moore ranks above flat and matte and below pearl and satin, saying it reflects more light than flat or matte paint and is easy to clean. Benjamin Moore publishes an LRV of about 87.7 for Eggshell.

Benjamin Moore publishes an LRV of about 86.2 for Milkyway.

Dunn-Edwards publishes an LRV of about 84 for Desert Lily.

Dunn-Edwards publishes an LRV of about 85 for Lemon Lime.

Dunn-Edwards publishes an LRV of about 85 for Lemon Chiffon Pie.

Behr reports an LRV of about 92 for Magnolia Blossom.

Dunn-Edwards publishes an LRV of about 84 for Light of the Moon.

The maker positions Carla between a pastel yellow and a pale chartreuse, explaining its yellow-green cast.

Dunn-Edwards publishes an LRV of about 84 for Hazelwood.

Dunn-Edwards pairs Afterglow with Whisper DEW340 for trim and Limestone DE6233 as an accent on its color page.

Dunn-Edwards publishes an LRV of about 85 for Malibu Sun.

Dunn-Edwards publishes an LRV of about 83 for Gentle Yellow.

Benjamin Moore reports an LRV of about 84.3 for Light Yellow.

Behr describes Effervescent as a pure, light yellow evocative of enjoying a tart, frozen lemonade in the summer. Behr publishes an LRV of about 90 for Effervescent.

Beige entered English in 1858 as the name of a fine woolen fabric, from a dialect French word for the natural yellowish gray of undyed wool. As the name of a shade, it appears in English from 1891. In CSS it is written beige.

Resene reports an LRV of about 92 for Hint Of Yellow.

Dunn-Edwards publishes an LRV of about 82 for Cream Puff.

Jasmine is recorded in English from the 1570s, from French jasmin (earlier jessemin), which came from Arabic, which had taken it from Persian. Etymonline compares Greek iasme, the name of a Persian perfume that may have been jasmine oil, and notes the plant was first grown in England in the 16th century. Dunn-Edwards publishes an LRV of about 83 for Jasmine.

Resene suggests Half Opal and Cream Can as companion colors for China Ivory, providing a starting point for a coordinated palette.

Dunn-Edwards publishes an LRV of about 82 for Fine Linen.

Behr reports an LRV of about 89 for Moon Valley.

Benjamin Moore publishes an LRV of about 85.9 for Lemon Glow.

Dulux Australia reports an LRV of about 91 for Missed Quarter.

Benjamin Moore publishes an LRV of about 85.3 for Lemonade.

Behr publishes an LRV of about 89 for Natural Light.

Dunn-Edwards pairs Creamy Corn with Magnolia DEW322 for trim and Dusky Moon DE5526 as an accent on its color page.

Benjamin Moore publishes an LRV of about 83.3 for Lemon Sorbet.

In the X11 color list it is written rgb 1.1.1.

Sherwin-Williams lists Lemon Drop only on its older chart; its current value is unpublished.

Dulux Australia reports an LRV of about 89 for Lean Lemon.

Dunn-Edwards publishes an LRV of about 82 for Fresh Grown.

Behr reports an LRV of about 88.0 for Flashpoint.

Dulux Australia reports an LRV of about 89 for Lemon Chambers.

Behr publishes an LRV of about 88 for Moon Mist.

Dunn-Edwards pairs Candle Flame with Whisper DEW340 for trim and Fine Grain DE6213 as an accent on its color page.

Benjamin Moore publishes an LRV of about 84.8 for Falling Star.

Dunn-Edwards pairs Banana Cream with Cottage White DEW318 for trim and Fine Grain DE6213 as an accent on its color page.

Benjamin Moore reports an LRV of about 85.4 for Old Straw Hat.

Resene suggests Lullaby and Sherbert as companion colors.

Behr marks Desert Lily as archived. Behr publishes an LRV of about 88 for Desert Lily.

Benjamin Moore publishes an LRV of about 82.8 for Lighthouse.

Dunn-Edwards publishes an LRV of about 82 for Golden Impression.

Dunn-Edwards publishes an LRV of about 82 for Firefly Glow.

Resene suggests Jagged Ice and Egg Sour as companion colors for Cumulus, providing a starting point for a coordinated palette.

Behr reports an LRV of about 88 for Meringue.

Dulux Australia reports an LRV of about 89 for Missed Half.

Behr publishes an LRV of about 87 for Honied White.

Behr describes Firefly as a pastel yellow that is both cheerful and uplifting with a free spirited edge. Behr publishes an LRV of about 87 for Firefly.

Dunn-Edwards publishes an LRV of about 82 for Lime Blossom.

Despite the word Mint, Resene describes Australian Mint with a pale sulfur-yellow association.

Behr publishes an LRV of about 87 for Morning Sunlight.

Benjamin Moore publishes an LRV of about 82.8 for Lightning Bolt.

Behr reports an LRV of about 87 for Organza Peach.

Behr publishes an LRV of about 87 for Moonlit Yellow.

Dunn-Edwards publishes an LRV of about 80 for Moonstruck.

Dunn-Edwards identifies yellow undertones in Aztec Aura's golden cream and suggests terracotta, warm wood, and woven materials.

Benjamin Moore publishes an LRV of about 84.2 for Lime Ricky.

Benjamin Moore publishes an LRV of about 82.5 for Early Dawn.

Behr publishes an LRV of about 86 for Opal Cream.

Behr publishes an LRV of about 86 for Frosted Lemon.

Benjamin Moore publishes an LRV of about 82.4 for Little Dipper.

The manufacturer describes Biscuit as a light golden yellow. Its pale screen preview is assigned Yellow in this revised edition.

Behr describes Honey Infusion as a pastel yellow that infuses a sweet brightness into any room. Behr publishes an LRV of about 86 for Honey Infusion.

Benjamin Moore reports an LRV of about 82.0 for Fun in the Sun.

Benjamin Moore publishes an LRV of about 83.2 for Halifax Cream.

Benjamin Moore publishes an LRV of about 83.6 for Lemon Soufflé.

PPG describes Oyster Cracker as a pale, subdued, budding yellow with a sage undertone. PPG publishes an LRV of about 85 for Oyster Cracker.

Benjamin Moore publishes an LRV of about 83.4 for Ginseng Root.

Benjamin Moore publishes an LRV of about 82.4 for Light of the Moon.

Benjamin Moore publishes an LRV of about 82.2 for Light Daffodil.

Sherwin-Williams reports an LRV of about 85.4 for Glittery Yellow. Sherwin-Williams marks Glittery Yellow as archived.

Behr marks Moon Dance as archived. Behr publishes an LRV of about 86 for Moon Dance.

Benjamin Moore publishes an LRV of about 81.1 for Lemon Meringue.

Blanchedalmond is a CSS color keyword set at #FFEBCD, one of the extended names browsers borrowed from the X11 color list. Blanch comes from Old French blanchir, to whiten, and from about 1400 English used it for soaking almonds to strip off their hulls.

Benjamin Moore publishes an LRV of about 81.2 for Candlelit Dinner.

Behr marks Joyous as archived. Behr publishes an LRV of about 86 for Joyous.

Resene reports an LRV of about 88 for Honey.

Behr reports an LRV of about 85 for Lightning White.

Behr publishes an LRV of about 85 for Nice Cream.

Dunn-Edwards publishes an LRV of about 79 for Fresh Honeydew.

Benjamin Moore publishes an LRV of about 81.1 for Corn Silk.

Benjamin Moore publishes an LRV of about 81.1 for Hay Stack.

Behr reports an LRV of about 85 for Honey Moth.

PPG reports an LRV of about 84 for Heavenly Haze.

Frittata, recorded in English in 1884, is Italian for something like a fritter. It comes from fritto, fried, from the Italian friggere and the Latin frigere, to fry. An earlier English borrowing, frittado, turns up in the 1630s. Behr publishes an LRV of about 85 for Frittata.

Dunn-Edwards publishes an LRV of about 78 for Milkweed.

Flaxen joins flax and the suffix en, meaning made of, and in the mid 15th century it described things made of flax. The sense of having the pale color of flax, usually said of hair, is recorded from the 1520s. Dunn-Edwards publishes an LRV of about 78 for Flaxen.

Benjamin Moore reports an LRV of about 82.2 for Light as a Feather.

Benjamin Moore reports an LRV of about 81.6 for Mannequin Cream.

Benjamin Moore publishes an LRV of about 81.3 for Fresh Air.

Sherwin-Williams lists Narcissus only on its older chart; its current value is unpublished.

Benjamin Moore publishes an LRV of about 80.7 for Celadon Green.

Benjamin Moore reports an LRV of about 81.2 for Morning Light.

Behr reports an LRV of about 84.0 for Garlic Clove. Behr marks Garlic Clove as archived.

Dulux Australia reports an LRV of about 86 for Magnolia.

Benjamin Moore publishes an LRV of about 80.8 for Man on the Moon.

Benjamin Moore reports an LRV of about 80.6 for Filtered Sunlight.

PPG describes Joyful as a light, muted, zesty citrus yellow with a Dijon undertone. PPG publishes an LRV of about 82 for Joyful.

Dunn-Edwards publishes an LRV of about 81 for Baby Chick.

Benjamin Moore publishes an LRV of about 81.1 for North Star.

Dunn-Edwards publishes an LRV of about 78 for Oatmeal Cookie.

Benjamin Moore publishes an LRV of about 80.3 for Old World Romance.

Behr marks Home Song as archived. Behr reports an LRV of about 84 for Home Song.

Dulux Australia reports an LRV of about 85 for Moo Half.

Dulux Australia reports an LRV of about 86 for Missed.

Behr publishes an LRV of about 83 for Marquee White.

Resene suggests Geyser and Zulu as companion colors.

PPG reports an LRV of about 82 for Mesa Beige.

Benjamin Moore publishes an LRV of about 80.5 for Jasper Opal.

Benjamin Moore publishes an LRV of about 79.4 for Little Angel.

Benjamin Moore publishes an LRV of about 79.4 for Calla Lily.

Benjamin Moore reports an LRV of about 79.7 for Lightning Storm.

Benjamin Moore publishes an LRV of about 79.1 for Lemon Twist.

Benjamin Moore reports an LRV of about 80.3 for Lion Yellow.

Behr publishes an LRV of about 83 for Gold Buttercup.

Benjamin Moore reports an LRV of about 80.2 for Marble White.

Behr publishes an LRV of about 83 for Lively Yellow.

Sherwin-Williams reports an LRV of about 82.5 for Lemon Meringue.

Dunn-Edwards publishes an LRV of about 77 for Leaf Bud.

Benjamin Moore publishes an LRV of about 78.7 for Good Vibrations.

Jonquil reached English in the 1660s from French jonquille, from Spanish junquillo, a diminutive of junco (rush, reed), from Latin iuncus. The flower was named for the reedlike shape of its leaves, and from 1791 jonquil also meant the pale yellow of its blossoms.

Benjamin Moore reports an LRV of about 80.1 for Ludwell White.

Behr reports an LRV of about 82.0 for Dandelion Tea.

Sherwin-Williams reports an LRV of about 82.0 for Medici Ivory.

Benjamin Moore publishes an LRV of about 79.3 for Lemon Freeze.

Sherwin-Williams publishes an LRV of about 82 for Fresh Zest.

Behr describes Lantern Light as a pale and intense yellow green, energizing in its ability to revitalize a room. Behr publishes an LRV of about 82 for Lantern Light.

Resene suggests Prelude and Sail as companion colors.

Benjamin Moore publishes an LRV of about 80.2 for Kansas Grain.

Dunn-Edwards publishes an LRV of about 76 for Neutral Peach.

Behr publishes an LRV of about 82 for May Apple.

Sherwin-Williams publishes an LRV of about 82 for Carambola.

Benjamin Moore publishes an LRV of about 79 for Lemon Grass.

Behr marks Lemon Souffle as archived. Behr publishes an LRV of about 82 for Lemon Souffle.

Dunn-Edwards publishes an LRV of about 76 for Natural Light.

Behr publishes an LRV of about 82 for Gold Thread.

Dulux Australia reports an LRV of about 84 for Old Yella.

Dunn-Edwards publishes an LRV of about 76 for Egg Nog.

Benjamin Moore publishes an LRV of about 80.2 for Dark Linen.

Benjamin Moore publishes an LRV of about 79.3 for Jasper Yellow.

Benjamin Moore publishes an LRV of about 77.5 for Mellow Yellow.

Dulux Australia reports an LRV of about 84 for Lemon Blast.

Resene reports an LRV of about 82.0 for Drover.

Dunn-Edwards publishes an LRV of about 76 for Lemon Gelato.

Benjamin Moore publishes an LRV of about 77.5 for Goldtone.

Sherwin-Williams reports an LRV of about 81.9 for Daybreak.

Behr marks Lemon Whip as archived. Behr publishes an LRV of about 82 for Lemon Whip.

Resene reports an LRV of about 82 for Half Chandelier.

Behr publishes an LRV of about 82 for Floating Lily.

Behr publishes an LRV of about 81 for Lunaria.

Behr describes Light Nougat as a soft golden tone, similar to the delicious confection. Behr publishes an LRV of about 81 for Light Nougat.

PPG describes Crescent Moon as a light, muted, sunny citrus yellow with a mustard yellow undertone. PPG publishes an LRV of about 80 for Crescent Moon.

Benjamin Moore publishes an LRV of about 77 for Lemon Drops.

The University of Oxford lists Oxford Lemon Yellow (Pantone 3935C) among its supporting colors. The swatch reads Oxford lemon yellow under the heading oxford yellow.

Dunn-Edwards publishes an LRV of about 75 for Limesicle.

Behr publishes an LRV of about 82 for Iced Green Apple.

PPG reports an LRV of about 80 for Magnolia Blossom.

Benjamin Moore reports an LRV of about 77.5 for Happy Valley.

Dunn-Edwards identifies amber and buttery undertones in Burnished Cream and suggests caramel brown, walnut, brass, and ivory companions.

PPG reports an LRV of about 78 for Magnolia Spray.

Dunn-Edwards publishes an LRV of about 76 for Fuzzy Duckling.

Dunn-Edwards publishes an LRV of about 74 for Flaxseed.

Resene reports an LRV of about 80 for Half Melting Moment.

Sherwin-Williams reports an LRV of about 80.5 for Lily.

Benjamin Moore publishes an LRV of about 78.2 for Linen Sand.

Behr publishes an LRV of about 80 for Golden Nectar.

Moccasin, a soft deerskin or leather shoe without a stiff sole first worn by Native North American peoples, is recorded from the 1610s. It comes from an Algonquian language of Virginia, probably Powhatan makasin (shoe), with relatives such as Munsee Delaware mahkusin and Ojibwa makizin. The snake name of 1784 may be a separate word with no matching source found, though Bright regards the two as identical.

Behr marks Equator Glow as archived. Behr publishes an LRV of about 81 for Equator Glow.

Behr describes Mannequin Cream as a soft creamy beige washed in light orange undertones. Behr publishes an LRV of about 80 for Mannequin Cream.

Behr publishes an LRV of about 81 for Invigorating.

Dunn-Edwards publishes an LRV of about 74 for Melted Wax.

Behr publishes an LRV of about 80 for Havana Cream.

PPG describes Limited Lime as a light, pure, honey dew green with a lime undertone. PPG publishes an LRV of about 79 for Limited Lime.

Sherwin-Williams reports an LRV of about 80.3 for Morning Sun.

Benjamin Moore publishes an LRV of about 77.4 for Handmade Paper.

Behr reports an LRV of about 81.0 for Feldspar. Behr marks Feldspar as archived.

Benjamin Moore publishes an LRV of about 78.3 for Navajo White.

Dulux Australia reports an LRV of about 82 for Lemon Rose.

Behr marks Oat Flour as archived. Behr publishes an LRV of about 80 for Oat Flour.

Benjamin Moore publishes an LRV of about 76.1 for Fresh Cut Grass.

Resene reports an LRV of about 80 for Half Moonbeam.

Resene suggests Deep Teal and Persian Red as companion colors.

Sherwin-Williams reports an LRV of about 79.9 for Icy Lemonade.

Behr marks Orange Glow as archived. Behr publishes an LRV of about 80 for Orange Glow.

Behr publishes an LRV of about 79 for Lightweight Beige.

Dulux Australia reports an LRV of about 82 for Lighthouse.

Dunn-Edwards publishes an LRV of about 73 for Ivory Oats.

Dulux Australia reports an LRV of about 82 for Lilylock Half.

Behr reports an LRV of about 79 for Moonglow.

Benjamin Moore publishes an LRV of about 76.7 for Ivory Lustre.

The manufacturer pairs Dandelion with Whisper DEW340 for trim and Pigeon Gray DE6214 as an accent, providing a practical palette starting point.

Dunn-Edwards publishes an LRV of about 73 for Marble Dust.

Benjamin Moore reports an LRV of about 77.0 for Melted Butter.

PPG describes Lemon Pepper as a midtone, pure, glowing firefly yellow green with a chartreuse undertone. PPG publishes an LRV of about 77 for Lemon Pepper.

Dulux Australia reports an LRV of about 81 for Moo.

Benjamin Moore publishes an LRV of about 77.1 for Orange Sorbet.

Behr describes Original White as a warm and cozy cream that adds a touch of softness to a space. Behr publishes an LRV of about 79 for Original White.

Benjamin Moore publishes an LRV of about 75.7 for Morning Sunshine.

Glidden reports an LRV of about 78 for Haystack.

Dulux Australia reports an LRV of about 81 for Ice Lemon.

Resene reports an LRV of about 81 for Half Buttermilk.

Dunn-Edwards publishes an LRV of about 79 for Lazy Daisy.

Behr marks Lemon Drops as archived. Behr publishes an LRV of about 80 for Lemon Drops.

Benjamin Moore publishes an LRV of about 77.2 for Knitted Cape.

Behr publishes an LRV of about 79 for Candlewick.

Resene reports an LRV of about 84 for Half And Half.

Sherwin-Williams reports an LRV of about 79.3 for Lemon Chiffon.

Benjamin Moore publishes an LRV of about 75.3 for French Vanilla.

Resene reports an LRV of about 79 for Half Vienna.

Benjamin Moore publishes an LRV of about 75.3 for Hepplewhite Ivory.

Benjamin Moore publishes an LRV of about 76 for Old Fashioned Peach.

Sherwin-Williams reports an LRV of about 79.0 for Glisten Yellow. Sherwin-Williams marks Glisten Yellow as archived.

Behr reports an LRV of about 80 for Manila Tint.

Behr publishes an LRV of about 78 for Frosting Cream.

A public transcription gives #F4EFC1 for Almond Oil, differing from the dealer value used here.

Benjamin Moore publishes an LRV of about 76.7 for Onyx White.

Resene reports an LRV of about 81 for Half Beeswax.

Dunn-Edwards publishes an LRV of about 73 for Gold Sand.

Resene reports an LRV of about 79 for Half Splash.

Behr reports an LRV of about 78 for Miami Weiss.

Benjamin Moore publishes an LRV of about 76.5 for Hawthorne Green.

Benjamin Moore publishes an LRV of about 75.1 for Natural Beech.

Resene reports an LRV of about 70 for Holiday.

Benjamin Moore publishes an LRV of about 75.5 for Honey Harbor.

Dunn-Edwards publishes an LRV of about 72 for Durango Dust.

Dunn-Edwards publishes an LRV of about 73 for Midday Sun.

Benjamin Moore publishes an LRV of about 74.9 for Cypress Grove.

Resene reports an LRV of about 77 for Half Popcorn.

Sherwin-Williams reports an LRV of about 78.0 for Full Moon.

Flan was recorded in 1846 for an open tart, with the Spanish style custard pudding sense known by 1899. It comes from French, from the Old French flaon, cake or tart, probably from a Germanic word for a flat cake, and Middle English had already borrowed the older form as flawn around 1300.

Dulux Australia reports an LRV of about 80 for Lemon Delicious.

Resene suggests Green Meets Blue and Tasman as companion colors for Blondee, providing a starting point for a coordinated palette.

Benjamin Moore publishes an LRV of about 75.3 for Battenberg.

Benjamin Moore publishes an LRV of about 75.3 for Monterey White.

PPG reports an LRV of about 76 for Honey Beige.

Benjamin Moore publishes an LRV of about 73.9 for Macadamia Nut.

Benjamin Moore publishes an LRV of about 73.9 for Montgomery White.

Sherwin-Williams reports an LRV of about 78.0 for Fun Yellow.

Dulux Australia reports an LRV of about 79 for Light And Low.

Resene reports an LRV of about 80 for Half Wheatfield.

Benjamin Moore publishes an LRV of about 74.3 for Good Morning Sunshine.

Dunn-Edwards pairs Baja White with Whisper DEW340 for trim and Glass Tile DE6262 as an accent on its color page.

Glidden describes Natural Straw as a soft, subdued, budding yellow with a sage undertone. Glidden publishes an LRV of about 75 for Natural Straw.

PPG describes Linen Tint as a soft, bright, sun soaked yellow with a dandelion undertone. PPG publishes an LRV of about 76 for Linen Tint.

Dunn-Edwards publishes an LRV of about 72 for Golden Glitter.

Benjamin Moore reports an LRV of about 75.2 for Niveous.

Resene suggests Nebula and Afterburner as companion colors.

Dulux Australia reports an LRV of about 79 for Lilium Two.

Resene reports an LRV of about 79 for Honeysuckle.

Benjamin Moore publishes an LRV of about 75.9 for Greenmount Silk.

PPG reports an LRV of about 74 for Morocco Sand.

Behr reports an LRV of about 78 for Lime Bright.

Behr describes Lily Bulb as a bright tea green, blooming with the promise of a springtime garden. Behr publishes an LRV of about 77 for Lily Bulb.

Benjamin Moore publishes an LRV of about 74.2 for Oatmeal.

Benjamin Moore publishes an LRV of about 73.1 for Mushroom Cap.

Benjamin Moore publishes an LRV of about 75.1 for Hibiscus.

Resene reports an LRV of about 79 for Half Astra.

Dunn-Edwards publishes an LRV of about 73 for Highlighter.

Crayola groups Green Yellow under green on its Explore Colors page.

Benjamin Moore publishes an LRV of about 72.8 for Golden Honey.

Dunn-Edwards publishes an LRV of about 75 for Beekeeper.

Benjamin Moore publishes an LRV of about 72.8 for Copacabana.

Dulux Australia reports an LRV of about 80 for Orchid Hue.

Dunn-Edwards publishes an LRV of about 73 for Organza.

Behr marks June Day as archived.

Dunn-Edwards publishes an LRV of about 76 for Muscat Blanc.

Behr marks Oklahoma Wheat as archived. Behr publishes an LRV of about 77 for Oklahoma Wheat.

Benjamin Moore publishes an LRV of about 73.1 for Norfolk Cream.

Dunn-Edwards publishes an LRV of about 71 for Cream Washed.

Dulux Australia reports an LRV of about 78 for Ivory.

Sherwin-Williams publishes an LRV of about 76.2 for La Luna Amarilla.

Behr reports an LRV of about 76 for Macaroon Cream.

Benjamin Moore publishes an LRV of about 72.1 for Dalila.

PPG reports an LRV of about 74 for Honey Bee.

Benjamin Moore reports an LRV of about 72.9 for No-Nonsense.

Benjamin Moore publishes an LRV of about 73.7 for Limon.

Glidden reports an LRV of about 74 for Harvest Moon.

Khaki is recorded in English from 1857 for a dust colored cloth, from Urdu khaki (dusty), from Persian khak (dust). It first named the uniforms of the Guide Corps, British cavalry in India introduced in 1846, and armies widely took up the color for camouflage during the Boer Wars of 1899 to 1902. The adjective is recorded from 1863.

Benjamin Moore links this color to an exterior paint found at the Geddy House and to creamware.

Benjamin Moore ties the name to the historical green earth pigment.

Sherwin-Williams reports an LRV of about 76.5 for Glad Yellow.

Honeymoon appears in the 1540s as hony moone, for the sweetness of a new marriage. The moon may stand for a month, the time the sweetness was expected to last, or for the moon that is barely full before it begins to wane. The sense of a wedding trip dates from about 1800. Resene reports an LRV of about 81 for Honeymoon.

Behr reports an LRV of about 77 for Melted Butter.

Sherwin-Williams reports an LRV of about 76.0 for Lantern Light.

Sherwin-Williams reports an LRV of about 76.4 for Moonraker.

PPG reports an LRV of about 75 for Hip Hop.

Benjamin Moore reports an LRV of about 71.9 for Harp Strings.

Benjamin Moore publishes an LRV of about 72.2 for Cornsilk.

Sherwin-Williams reports an LRV of about 76.0 for Friendly Yellow.

Sherwin-Williams reports an LRV of about 75.8 for Optimistic Yellow.

Dulux Australia reports an LRV of about 78 for Moon Gleam.