Shades of White

Google's Android Auto guide lists Google Grey 00 in its supporting palette.

Lamar University names LU White a primary brand color.

University of Nevada, Reno names Nevada White in its visual identity.

Ivory appears in Anglo French in the mid 13th century and as a surname in the late 12th, from Latin ebur (ivory) through Medieval Latin, perhaps from an African source by way of Phoenician, and Etymonline compares Egyptian ab (elephant). It replaced Old English elpendban, roughly elephant bone, and the sense of a pale color like ivory, especially of skin, dates from the 1580s.

Dunn-Edwards publishes an LRV of about 92 for Lemon Juice.

Dunn-Edwards publishes an LRV of about 91 for Ice Glow.

Dunn-Edwards publishes an LRV of about 90 for Luminary.

Dunn-Edwards publishes an LRV of about 92 for La Luna.

Dunn-Edwards publishes an LRV of about 91 for Lamb's Wool.

Dunn-Edwards publishes an LRV of about 91 for Gardenia.

Dunn-Edwards publishes an LRV of about 91 for Lemon Ice.

Igloo comes from Inuit iglu (house), and Merriam-Webster dates its first known use in English to 1856. It names a usually dome shaped dwelling of arctic regions, built from blocks of snow or ice when temporary and from sod, wood or stone when permanent. Dunn-Edwards publishes an LRV of about 89 for Igloo.

Dunn-Edwards publishes an LRV of about 89 for Glamour White.

Azure entered English in the early 14th century for a sky blue color and a pigment made from powdered lapis lazuli. The word traces through Arabic and Greek to the Persian lajward, named for a place where the stone was mined. In heraldry, azure is the name of the tincture blue. CSS azure is an almost-white tint with full green and blue channels. It differs markedly from the stronger blues called Azure in other sources.

Dunn-Edwards publishes an LRV of about 88 for Cool December.

Dunn-Edwards publishes an LRV of about 90 for Lit.

Dunn-Edwards publishes an LRV of about 89 for Catalina.

Dunn-Edwards publishes an LRV of about 89 for Frosting Cream.

Dunn-Edwards publishes an LRV of about 88 for Lead Glass.

Dunn-Edwards publishes an LRV of about 88 for Day Lily.

The manufacturer pairs Down Feathers with Warm White DEW380 for trim and Dreams of Peach DE5276 as an accent, providing a practical palette starting point.

Dunn-Edwards publishes an LRV of about 88 for Lime Slice.

Behr reports an LRV of about 94.0 for Elderflower. Behr marks Elderflower as archived.

Resene suggests Truffle and Triple Pearl Lusta as companion colors.

Dunn-Edwards publishes an LRV of about 86 for Icicle.

Dunn-Edwards pairs Apricot Ice with Warm White DEW380 for trim and Pale Apricot DE5163 as an accent on its color page.

Dunn-Edwards publishes an LRV of about 86 for Milk Glass.

The color is named after Alice Roosevelt Longworth, daughter of President Theodore Roosevelt. Merriam-Webster dates the first known use of the term to 1905. The CSS keyword aliceblue is written as one word and is standardized as #F0F8FF; it is a very pale blue tint, not pure white.

Behr publishes an LRV of about 93 for Night Blooming Jasmine.

Dunn-Edwards pairs Antique China with Warm White DEW380 for trim and Silver Fern DE5492 as an accent on its color page.

Sherwin-Williams reports an LRV of about 92.7 for High Reflective White.

Dunn-Edwards publishes an LRV of about 85 for Distant Horizon.

Benjamin Moore publishes an LRV of about 88.4 for Lemon Ice.

Dunn-Edwards publishes an LRV of about 86 for Glimpse of Pink.

Dunn-Edwards pairs Ambrosia Ivory with Warm White DEW380 for trim and Natural Tan DE5212 as an accent on its color page.

Resene reports an LRV of about 17.0 for FilmPro White.

Behr reports an LRV of about 92.0 for Fragrant Jasmine.

Benjamin Moore publishes an LRV of about 89 for Mascarpone.

Dunn-Edwards publishes an LRV of about 85 for Light Mist.

Resene reports an LRV of about 85.0 for Double Bianca.

Dunn-Edwards publishes an LRV of about 85 for Ivory Keys.

Resene reports an LRV of about 92 for Half Alabaster.

Dunn-Edwards describes Cascading White as a soothing white color tinted with icy violet undertones. Dunn-Edwards publishes an LRV of about 84 for Cascading White.

Benjamin Moore publishes an LRV of about 88.9 for Bavarian Cream.

Benjamin Moore publishes an LRV of about 89.6 for Crisp Linen.

Dunn-Edwards publishes an LRV of about 84 for Grass Valley.

Behr describes Lemon White as a delicate yellow that exudes simplicity and minimalism and a fresh, crisp feel. Behr publishes an LRV of about 92 for Lemon White.

Dunn-Edwards publishes an LRV of about 85 for Garden Dawn.

Benjamin Moore publishes an LRV of about 90 for Chantilly Lace.

Benjamin Moore publishes an LRV of about 86.5 for Lightning White.

Dulux Australia reports an LRV of about 93 for Napkin White.

Benjamin Moore publishes an LRV of about 89 for Cotton Balls.

Behr publishes an LRV of about 91 for Icy Tundra.

Dunn-Edwards publishes an LRV of about 84 for Melting Glacier.

Dunn-Edwards pairs Baby's Bottom with Whisper DEW340 for trim and Strawberry Blonde DE5107 as an accent on its color page.

Benjamin Moore publishes an LRV of about 88.6 for Mountain Peak White.

Benjamin Moore publishes an LRV of about 88.1 for Mayonnaise.

Dunn-Edwards identifies purple undertones in Abalone and suggests lavender or cool gray companions for a pastel palette.

Dulux Australia reports an LRV of about 92 for Lyonnaise.

Dunn-Edwards publishes an LRV of about 83 for Early Snow.

Behr reports an LRV of about 91 for Historic Cream.

The manufacturer pairs Doeskin with Warm White DEW380 for trim and Prairie Dune DE5205 as an accent, providing a practical palette starting point.

Resene suggests Haystack and Wavelength as companion colors.

Dunn-Edwards publishes an LRV of about 83 for Droplets.

Resene reports an LRV of about 90.0 for Elderflower.

Alabaster usually means a fine grained gypsum stone used for carving; in ancient Egyptian art the name also covers a calcite stone. The word entered English in the late 14th century from the Greek alabastros, a perfume vase. One proposed source is the Egyptian a labaste, meaning vessel of the goddess Bast. The word has stood for whiteness and smoothness since the 1570s. Resene presents Alabaster as white softened by a slight gray influence, rather than a pure digital white.

Resene reports an LRV of about 92.0 for Eighth Black White.

Resene reports an LRV of about 90 for Half Orchid White.

Dunn-Edwards publishes an LRV of about 83 for Lighthouse.

Benjamin Moore publishes an LRV of about 86.1 for Cotton Tail.

Behr marks Icy Wind as archived. Behr publishes an LRV of about 91 for Icy Wind.

Behr publishes an LRV of about 90 for Natural White.

Dunn-Edwards publishes an LRV of about 83 for Milk Mustache.

Benjamin Moore publishes an LRV of about 87.7 for Lime Froth.

Behr publishes an LRV of about 90 for Glass Of Milk.

Dunn-Edwards pairs Applemint with Warm White DEW380 for trim and Pine Mist DE5534 as an accent on its color page.

Benjamin Moore publishes an LRV of about 86.2 for Cream Froth.

Resene reports an LRV of about 90.0 for Glistening White.

Benjamin Moore publishes an LRV of about 88.1 for Distant Gray.

Benjamin Moore publishes an LRV of about 88.2 for Easter Lily.

Behr marks Heavy Sugar as archived. Behr reports an LRV of about 90 for Heavy Sugar.

Ivory tower, for an artist's or thinker's aloofness from everyday life, is recorded in English by 1889 and translates French tour d'ivoire. A French critic used it in 1837 of the poet Alfred de Vigny, whom he found too aloof, and the image may go back to the King James Song of Solomon (7:4), with its neck like a tower of ivory. Benjamin Moore publishes an LRV of about 86 for Ivory Tower.

Dunn-Edwards publishes an LRV of about 83 for Coffee Cream.

Dunn-Edwards pairs Boysenberry Shadow with Warm White DEW380 for trim and Pale Shale DE5918 as an accent on its color page.

Behr reports an LRV of about 90 for Mirage White.

Resene suggests Caraway and Double Truffle as companion colors.

Benjamin Moore publishes an LRV of about 88.8 for Ice Mist.

Behr reports an LRV of about 90 for Moon Rise.

Resene suggests Twice As Nice and Petal as companion colors.

Dunn-Edwards associates Antique Lace with aged ivory and heirloom textiles, a documented styling comparison for the color.

Resene reports an LRV of about 91 for Half Bianca.

Dunn-Edwards publishes an LRV of about 84 for Flickering Light.

The manufacturer identifies peach undertones in Blanched Almond. Its very pale screen value still retains that warm tint.

The manufacturer pairs Desert Dawn with Whisper DEW340 for trim and Verona Beach DE6135 as an accent, providing a practical palette starting point.

Benjamin Moore publishes an LRV of about 85.3 for Fine China.

Behr reports an LRV of about 89.0 for Fresh Popcorn.

Behr reports an LRV of about 89 for Lively White.

Resene suggests Zircon and Salomie as companion colors.

Benjamin Moore publishes an LRV of about 87.7 for Opulence.

Dunn-Edwards publishes an LRV of about 83 for Candlestick Point.

Behr marks Frosted Juniper as archived. Behr publishes an LRV of about 89 for Frosted Juniper.

Sherwin-Williams publishes an LRV of about 89 for Cheviot.

Damask meant the city of Damascus in the mid 13th century, and by the late 14th century it named a costly fabric woven in elaborate patterns, literally cloth from Damascus. From about 1600 it also meant a pink color, after the damask rose. Dunn-Edwards publishes an LRV of about 81 for Damask.

Benjamin Moore publishes an LRV of about 85.6 for Lemon Chiffon.

Dunn-Edwards pairs Cumulus with Whisper DEW340 for trim and Steamy Spring DE5709 as an accent on its color page.

Dunn-Edwards publishes an LRV of about 82 for Dove's Wing.

Behr marks Glow as archived. Behr publishes an LRV of about 89 for Glow.

Linen, cloth woven from flax, appears in the early 14th century as the adjective linen (made of flax) used as a noun, built on Old English lin (flax, linen thread, linen cloth). The Germanic word was probably an early loan from Latin linum (flax), which with Greek linon is thought to come from a non Indo European source. Beekes allows that the word could be inherited from a shared Indo European origin, since flax has long been grown in central Europe, but he still thinks a Mediterranean origin more likely.

Dulux Australia reports an LRV of about 90 for Lexicon Quarter.

Dulux Australia reports an LRV of about 90 for Ōkārito.

Dulux Australia reports an LRV of about 89 for Off White.

Behr publishes an LRV of about 89 for Fresh Dew.

The manufacturer pairs Delicate Seashell with Warm White DEW380 for trim and Allspice DE5247 as an accent, providing a practical palette starting point.

Behr publishes an LRV of about 88 for Eggnog.

Benjamin Moore publishes an LRV of about 84.8 for Ecru.

Behr publishes an LRV of about 88 for Moonlit Beach.

Dulux Australia reports an LRV of about 89 for Lamarque.

PPG describes Delicate White as a pale, true, winter white with a nonexistent undertone. PPG publishes an LRV of about 88 for Delicate White.

Behr reports an LRV of about 88 for Luster White.

Behr reports an LRV of about 88.0 for Fine Porcelain. Behr marks Fine Porcelain as archived.

Dunn-Edwards publishes an LRV of about 81 for Fossil.

Behr marks Lemon Pearl as archived. Behr publishes an LRV of about 88 for Lemon Pearl.

Behr publishes an LRV of about 88 for Coconut Twist.

Behr publishes an LRV of about 88 for Maui Mist.

Dunn-Edwards publishes an LRV of about 81 for Blank Canvas.

Benjamin Moore publishes an LRV of about 84.6 for Ivory Tusk.

Dunn-Edwards publishes an LRV of about 81 for Desert Star.

The name forget me not was adopted in the 1530s for the plant Myosotis palustris and translates the Old French ne m'oubliez mye, an idea German shares in Vergissmeinnicht. In the 15th century the flower was believed to keep its wearers from being forgotten by their lovers. Resene suggests Romantic and Off Green as companion colors.

Behr publishes an LRV of about 88 for Elegant Ivory.

Resene suggests Half Bianca and Tana as companion colors.

Dunn-Edwards publishes an LRV of about 81 for Lily.

Behr publishes an LRV of about 88 for Moonlight White.

Resene reports an LRV of about 86 for Half Dutch White.

The plural ivories, slang for things made of ivory, was used for piano keys by 1818 and for teeth by 1782. Ivory itself goes back to Latin ebur and replaced Old English elpendban, roughly elephant bone. Behr reports an LRV of about 88 for Ivory Keys.

Dunn-Edwards publishes an LRV of about 80 for Just Pink Enough.

Sherwin-Williams publishes an LRV of about 88 for Frost Bite.

Dulux Australia reports an LRV of about 89 for Mt Aspiring Quarter.

The University of Oxford lists Oxford Off White (Pantone 663 C) among its neutral colors.

Behr publishes an LRV of about 88 for Hushed White.

Benjamin Moore publishes an LRV of about 85.7 for Lime Sorbet.

Resene reports an LRV of about 86 for Half Scotch Mist.

Dunn-Edwards identifies ivory and parchment undertones in Antique Paper, making its off-white character warmer than pure white.

Behr publishes an LRV of about 87 for Innocence.

Behr publishes an LRV of about 87 for Marshmallow Whip.

Benjamin Moore publishes an LRV of about 85 for Cloud White.

Dunn-Edwards publishes an LRV of about 81 for Moonlight.

Behr publishes an LRV of about 87 for Ivory Invitation.

Resene reports an LRV of about 87 for Half Rice Cake.

Benjamin Moore publishes an LRV of about 84.7 for Flurry.

Dunn-Edwards pairs Angel Feather with Warm White DEW380 for trim and Tranquil Sea DE5932 as an accent on its color page.

Behr reports an LRV of about 87 for Mineral Spring.

Resene reports an LRV of about 90 for Hint Of Red.

Benjamin Moore publishes an LRV of about 85 for Gardenia.

Benjamin Moore publishes an LRV of about 86.7 for Oxford White.

Dunn-Edwards publishes an LRV of about 81 for Latte Froth.

PPG describes Clear Yellow as a pale, bright, glowing firefly white paint color with a chartreuse undertone. PPG publishes an LRV of about 87 for Clear Yellow.

Resene suggests Wedgewood and Tom Thumb as companion colors for Apricot White, giving a starting point for a coordinated palette.

Behr publishes an LRV of about 87 for Nano White.

Dunn-Edwards publishes an LRV of about 80 for Organic Fiber.

Behr publishes an LRV of about 87 for Elegant White.

Dunn-Edwards publishes an LRV of about 80 for Light Beige.

Dunn-Edwards publishes an LRV of about 80 for Evening Shadow.

Behr marks Bermuda Shell as archived. Behr publishes an LRV of about 87 for Bermuda Shell.

PPG describes Cotton Tail as a light, true, clean white with a non existent undertone. PPG publishes an LRV of about 87 for Cotton Tail.

Resene reports an LRV of about 87 for Half Sauvignon.

Behr publishes an LRV of about 87 for Falling Snow.

Dunn-Edwards publishes an LRV of about 81 for Cotton Field.

Benjamin Moore publishes an LRV of about 86.3 for Frostine.

Dunn-Edwards publishes an LRV of about 87 for Daydreaming.

Behr reports an LRV of about 87 for Marshmallow.

Behr publishes an LRV of about 87 for Milkyway Galaxy.

Resene includes this pale color in its FilmPro paint range for set scenery.

PPG describes Crumb Cookie as a pale, gray, cosmetic white with a sandy undertone. PPG publishes an LRV of about 86 for Crumb Cookie.

Dulux Australia reports an LRV of about 88 for Mill Flour.

Dulux Australia reports an LRV of about 88 for Moo Quarter.

Dunn-Edwards publishes an LRV of about 87 for Fresh Snow.

Behr marks Glacial Tint as archived. Behr publishes an LRV of about 87 for Glacial Tint.

Dunn-Edwards publishes an LRV of about 80 for Cottage White.

Dunn-Edwards describes Antique Linen as light ivory and suggests it as a warmer alternative to white trim.

PPG describes Combed Cotton as a pale, pure, sun soaked white paint color with a dandelion undertone. PPG publishes an LRV of about 85 for Combed Cotton.

Resene reports an LRV of about 86 for Half Gin Fizz.

Dunn-Edwards publishes an LRV of about 81 for Hazy Grove.

Benjamin Moore publishes an LRV of about 83.8 for Lily of the Valley.

Behr publishes an LRV of about 87 for Frost.

Behr reports an LRV of about 86.0 for Fine White. Behr marks Fine White as archived.

Dunn-Edwards publishes an LRV of about 80 for Creamy Cameo.

Behr reports an LRV of about 87.0 for Frostwork. Behr marks Frostwork as archived.

Behr marks Icing Rose as archived. Behr publishes an LRV of about 87 for Icing Rose.

Dunn-Edwards pairs Alpaca Wool with Whisper DEW340 for trim and Practical Tan DE6115 as an accent on its color page.

Benjamin Moore pairs it with Muslin (OC-12), Aegean Teal (2136-40), Elmira White (HC-84) and Tate Olive (HC-112).

PPG describes Lotus Flower as a pale, pure, sun kissed white paint color with a lemon undertone. PPG publishes an LRV of about 85 for Lotus Flower.

Resene suggests Spanish White and Havana as companion colors.

Resene reports an LRV of about 86 for Half Black White.

Behr marks June Vision as archived.

Resene reports an LRV of about 87 for Half Milk Punch.

Benjamin Moore publishes an LRV of about 84.1 for Fondant.

Benjamin Moore reports an LRV of about 82.5 for Frosted Petal.

Sherwin-Williams reports an LRV of about 86.0 for Honied White.

Behr reports an LRV of about 86.0 for Fuji Snow.

Dunn-Edwards describes Birch White as an off white. Dunn-Edwards publishes an LRV of about 79 for Birch White.

Behr reports an LRV of about 86.0 for First Blush. Behr marks First Blush as archived.

Behr marks Mint Fizz as archived. Behr publishes an LRV of about 86 for Mint Fizz.

Dunn-Edwards publishes an LRV of about 79 for Fog Town.

Dunn-Edwards publishes an LRV of about 79 for Home Plate.

Benjamin Moore publishes an LRV of about 82.1 for Light Quartz.

Sherwin-Williams publishes an LRV of about 85.8 for Arcade White.

Sherwin-Williams lists Opera Glass only on its older chart; its current value is unpublished.

Benjamin Moore reports an LRV of about 83.6 for Featherbed.

Behr reports an LRV of about 86 for Mist Yellow.

PPG reports an LRV of about 85 for Mother Of Pearl.

Benjamin Moore reports an LRV of about 83.9 for Minced Onion.

Dulux Australia reports an LRV of about 87 for Lexicon Half.

Dunn-Edwards describes Coconut Grove as a clean white color with just a subtle hint of warmth. Dunn-Edwards publishes an LRV of about 85 for Coconut Grove.

Dunn-Edwards publishes an LRV of about 78 for Crystal Bell.

Acadia is the historical name for part of northeastern North America. Explorer Giovanni da Verrazzano applied the name Archadia to the Atlantic coast in 1524; one account says he borrowed the Arcadia of classical literature, another that he adapted a native word such as cadie.

Benjamin Moore pairs it with Bone White (OC-143), Persimmon (2088-40), Greenbrier Beige (HC-79) and Woodland Green (459).

Benjamin Moore publishes an LRV of about 83.3 for Ivory White.

The University of Oxford lists Oxford Shell Grey (Pantone Warm Gray 1 C) among its neutral colors.

Sherwin-Williams reports an LRV of about 85.9 for Extra White.

Behr publishes an LRV of about 86 for Ethereal White.

PPG reports an LRV of about 86 for Magical Moonlight.

Behr reports an LRV of about 86.0 for Edwardian Lace.

Behr publishes an LRV of about 86 for Eggshell Cream.

Dunn-Edwards publishes an LRV of about 79 for First Snow.

Dunn-Edwards publishes an LRV of about 79 for Glisten Green.

Cloud Dancer is the Pantone Color of the Year for 2026, announced in December 2025. Pantone calls it a billowy white imbued with a feeling of serenity, and Smithsonian magazine reports it is the first white the company has chosen.

Behr reports an LRV of about 85 for Light Rosebeige.

Dunn-Edwards notes peach undertones in Ajo Lily's creamy white, useful when comparing it with cooler whites.

Benjamin Moore publishes an LRV of about 83.3 for Irish Mint.

Resene reports an LRV of about 86 for Half Villa White.

Benjamin Moore publishes an LRV of about 83.6 for Cloud Nine.

Behr reports an LRV of about 85 for Lilting Laughter.

Behr publishes an LRV of about 85 for Frosty Melon.

Behr publishes an LRV of about 85 for Linen White.

Benjamin Moore publishes an LRV of about 83.2 for Harwood Putty.

Behr reports an LRV of about 86 for Light Mint.

Dulux Australia reports an LRV of about 87 for Korila Quarter.

Resene suggests Linen and Half Ash as companion colors.

Behr publishes an LRV of about 85 for Ivory Mist.

Dunn-Edwards publishes an LRV of about 78 for Essence of Violet.

Marshmallow was Old English mersc mealwe, a mallow plant (Althea officinalis) that grows near salt marshes, joining marsh and mallow. The candy is called so from 1877 and was first made from a paste of the plant's gummy roots. The Greek plant name althaea comes from althein (to heal), because the roots were used as medicine.

Dogwood, a name for shrubs and small trees of the genus Cornus, dates to the 1610s, after the earlier dog tree of the 1540s. Its origin is uncertain. One explanation ties it to dag, to pierce, since the hard wood was reportedly used for butchers' skewers, though no form dagwood is attested; another says dog refers to the fruit, called dogberry, with dog meaning cheap or inferior. Dunn-Edwards publishes an LRV of about 78 for Dogwood.

Behr publishes an LRV of about 85 for New House White.

Behr publishes an LRV of about 86 for Glisten Green.

Benjamin Moore publishes an LRV of about 84.3 for Opal.

Behr publishes an LRV of about 85 for Flurries.

Sherwin-Williams marks A La Mode as archived and lists an LRV of about 85.0; archived colors can still be ordered as paint and Color to Go samples, though not as color chips.

Dunn-Edwards describes Classic White as a cooler, neutral white color. Dunn-Edwards publishes an LRV of about 84 for Classic White.

PPG describes Cow's Milk as a pale, shaded, dusty red with a blush undertone. PPG publishes an LRV of about 84 for Cow's Milk.

Behr publishes an LRV of about 85 for Jet White.

Dunn-Edwards publishes an LRV of about 78 for Guiding Star.

Benjamin Moore publishes an LRV of about 83.2 for Moonlight White.

Behr pairs it with Funhouse (M140-1), Final Straw (S320-3), Polar Bear (75) and Tahitian Sky (M460-1).

Resene reports an LRV of about 85 for Half Sea Fog.

Behr publishes an LRV of about 85 for Hacienda White.

In CSS, antiquewhite and white are different keywords: the former has a warm tint, while white is #FFFFFF.

Glidden reports an LRV of about 86 for Icy Peach.

Behr reports an LRV of about 85 for Light Touch.

LSU's Brand Guide v3.2 (2021) lists Light Gold among its colors; LSU's current online brand book does not list the name.

Sherwin-Williams reports an LRV of about 84.4 for Ibis White.

Behr reports an LRV of about 85 for Honeysuckle White.

Dunn-Edwards publishes an LRV of about 78 for Mist of Green.

PPG describes Ice Castles as a pale, shaded, arctic blue with a twilight undertone. PPG publishes an LRV of about 85 for Ice Castles.

PPG describes Kiss Me Kate as a pale, bright, marine aqua blue with a gorgeous deep water undertone. PPG publishes an LRV of about 79 for Kiss Me Kate.

Behr named Blank Canvas its Color of the Year for 2023. Behr publishes an LRV of about 84 for Blank Canvas.

The University of Oxford lists Oxford Cool Grey (Pantone 7541C) among its supporting colors.

Benjamin Moore reports an LRV of about 81.3 for Lychee.

Dunn-Edwards publishes an LRV of about 78 for Modern Ivory.

Benjamin Moore publishes an LRV of about 81.3 for October Sky.

Behr marks Floral Scent as archived. Behr publishes an LRV of about 85 for Floral Scent.

Behr reports an LRV of about 85 for Moonstruck.

PPG describes Candlelit Beige as a pale, bright, sun soaked white paint color with a dandelion undertone. PPG publishes an LRV of about 85 for Candlelit Beige.

Behr publishes an LRV of about 85 for Bleached Linen.

PPG reports an LRV of about 85 for Moonlit Snow.

In the X11 color list it is written ivory2.

Egret dates to the mid 14th century and comes from Old French aigrette, from Old Provençal aigreta, a diminutive of aigron, heron. Etymonline says the word is perhaps of Germanic origin and shares its source with heron.

Behr publishes an LRV of about 84 for Opulent Opal.

Dunn-Edwards publishes an LRV of about 78 for Hurricane Mist.

Resene suggests China Ivory and Cornflower as companion colors for Chardon, providing a starting point for a coordinated palette.

Benjamin Moore publishes an LRV of about 82 for Colonial Cream.

Benjamin Moore publishes an LRV of about 82 for Florida Beaches.

Benjamin Moore publishes an LRV of about 81.6 for Devon Cream.

Behr publishes an LRV of about 84 for Lychee.

Dulux Australia reports an LRV of about 86 for Lime White.

Sherwin-Williams lists Brooklet as an archived color.

Dunn-Edwards describes Be Cool as a cool, crisp white color. Dunn-Edwards publishes an LRV of about 84 for Be Cool.

Behr reports an LRV of about 84 for Nude.

PPG describes Love Bird as a pale, muted, fun fuchsia purple with a magenta undertone. PPG publishes an LRV of about 84 for Love Bird.

PPG describes Gypsum as a pale, gray, veiled white paint color with a red undertone. PPG publishes an LRV of about 83 for Gypsum.

Behr publishes an LRV of about 84 for Harmonious White.

Sherwin-Williams reports an LRV of about 84.4 for Dollop Of Cream. Sherwin-Williams marks Dollop Of Cream as archived.

Sherwin-Williams reports an LRV of about 83.5 for Fancy Pink. Sherwin-Williams marks Fancy Pink as archived.

Behr marks Hush Pink as archived. Behr reports an LRV of about 84 for Hush Pink.

Dulux Australia reports an LRV of about 86 for Mt Aspiring Half.

Behr publishes an LRV of about 84 for Heavy Cream.

Dulux Australia reports an LRV of about 87 for Lost Lace Quarter.

Benjamin Moore publishes an LRV of about 82.7 for Decorator's White.

PPG describes Cake Batter as a pale, bright, zesty citrus white paint color with a Dijon undertone. PPG publishes an LRV of about 83 for Cake Batter.

Dulux Australia reports an LRV of about 86 for Lilylock Quarter.

Sherwin-Williams reports an LRV of about 84.2 for Greek Villa.

Benjamin Moore publishes an LRV of about 82 for Icicle.

Benjamin Moore publishes an LRV of about 82.4 for Chalk White.

Dunn-Edwards describes Crystal Clear as a very pale blush neutral, showing that Clear in a catalog name does not specify transparency.

Sherwin-Williams publishes an LRV of about 84 for Cold Foam.

Dulux Australia reports an LRV of about 85 for Natural White.

Behr reports an LRV of about 84 for Little Dipper.

Sherwin-Williams reports an LRV of about 84.1 for Faraway Blue. Sherwin-Williams marks Faraway Blue as archived.

PPG describes Commercial White as a pale, gray, sepia white paint color with an umber undertone. PPG publishes an LRV of about 83 for Commercial White.

Glidden reports an LRV of about 83 for Heirloom Pink.

Resene reports an LRV of about 83 for Half Pot Pourri.

Resene suggests Blanc and Surrender as companion colors. Resene also sells this color as Half Soapstone, with the same code and value.

Resene reports an LRV of about 84 for Half Soapstone. Resene also sells this color as Eighth Blanc, with the same code and value.

Resene reports an LRV of about 86 for Half Barely There.

Behr publishes an LRV of about 83 for Garden Rose White.

Benjamin Moore publishes an LRV of about 80.8 for Hint of Pink.

Dunn-Edwards publishes an LRV of about 76 for Morning Mist.

Sherwin-Williams lists Lavender Wisp only on its older chart; its current value is unpublished.

Resene reports an LRV of about 84 for Half Merino.

Behr pairs it with Bubble Shell (S160-3), Filtered Moon (M270-4), Marshmallow Whip (M220-1) and Cool Water Lake (P480-3).

Benjamin Moore publishes an LRV of about 80.9 for Linen White.

PPG describes Linen Ruffle as a pale, neutral, taupe white with a pink undertone. PPG publishes an LRV of about 83 for Linen Ruffle.

Benjamin Moore publishes an LRV of about 80.7 for Italian Ice Green.

Dunn-Edwards publishes an LRV of about 77 for Lace Veil.

Sherwin-Williams reports an LRV of about 82.9 for French Vanilla. Sherwin-Williams marks French Vanilla as archived.

Benjamin Moore publishes an LRV of about 81 for Ice Milk.

Benjamin Moore publishes an LRV of about 80.5 for Desolate.

Glidden reports an LRV of about 83 for Innocent White.

PPG describes Lauren's Lace as a pale, shaded, baby pink purple with a red undertone. PPG publishes an LRV of about 83 for Lauren's Lace.

Behr reports an LRV of about 83.0 for Grand Heron. Behr marks Grand Heron as archived.

Benjamin Moore publishes an LRV of about 80.5 for Deep in Thought.

Sherwin-Williams publishes an LRV of about 83 for Natural White.

Behr publishes an LRV of about 83 for Grass Root.

Sherwin-Williams publishes an LRV of about 83 for Cotton.

PPG reports an LRV of about 83 for Macaroon Cream.

Behr publishes an LRV of about 84 for Ice Cube.

Icing for the sweet coating on a cake is recorded from 1769, and ice itself was used for such a coating as early as 1723. The later sense of icing as the process of becoming covered with ice dates from 1881. Benjamin Moore publishes an LRV of about 81.8 for Icing on the Cake.

Sherwin-Williams marks Apple Slice as archived and lists an LRV of about 83.1; archived colors can still be ordered as paint and Color to Go samples, though not as color chips.

Glidden reports an LRV of about 83 for Ice Mist.

PPG describes Candlewick as a pale, muted, sunny citrus yellow with a mustard yellow undertone. PPG publishes an LRV of about 82 for Candlewick.

Dunn-Edwards places Carrara in the Then, Now & Forever collection and describes its white as having a slight gray influence.

Frostbite, attested from 1813, is a back formation from frostbitten, which dates to the 1590s and joins frost and bite. A verb form was in use by the 1610s. Dunn-Edwards publishes an LRV of about 77 for Frostbite.

Glidden reports an LRV of about 83 for Hint Of Green.

Behr publishes an LRV of about 82 for Cafe Cream.

Resene reports an LRV of about 84 for Half Vista White.